Casting Associate - 2 Episodes, 2019
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Casting Associate
'True Detective' The Great War and Modern Memory (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Casting Associate
'True Detective' Kiss Tomorrow Goodbye (2019)
Directed by: Jeremy Saulnier
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Casting Associate
'True Detective' The Big Never (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Casting Associate
'True Detective' The Hour and the Day (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Casting Associate
'True Detective' If You Have Ghosts (2019)
Directed by: Nic Pizzolatto
Cinematography by: Nigel Bluck
Edited by: Leo Trombetta
Casting Associate
'True Detective' Now Am Found (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Casting Associate
'True Detective' The Final Country (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Casting Associate
'True Detective' Hunters in the Dark (2019)
Directed by: Daniel Sackheim
Cinematography by: Germain McMicking
Edited by: Leo Trombetta
Casting Associate
On the Basis of Sex (2018)
Directed by: Mimi Leder
Cinematography by: Michael Grady
Edited by: Michelle Tesoro
Casting Assistant
Straight Outta Compton (2015)
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Casting Assistant
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Casting Assistant
Top Five (2014)
Directed by: Chris Rock
Cinematography by: Manuel Alberto Claro
Edited by: Anne McCabe
Casting Associate - 8 Episodes, 2019
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Casting Assistant
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Casting Assistant
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Casting Assistant
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
