Sam Longoria

15 Titles

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Cleanin' Up the Town: Remembering Ghostbusters | ShotOnWhat?

Himself

Cleanin' Up the Town: Remembering Ghostbusters (2019)

Direct to Video

Directed by: Anthony Bueno

Cinematography by: Anthony Bueno

Edited by: Eastwood Allen, Anthony Bueno, Derek Osborn

The Blair Witch Project | ShotOnWhat?

Camera Consultant

The Blair Witch Project (1999)

Directed by: Daniel Myrick, Eduardo Sánchez

Cinematography by: Neal Fredericks

Edited by: Daniel Myrick, Eduardo Sánchez

Cameras: Cinema Products CP-16 Camera, Sony DCR-TRV120 Camera

Frog and Wombat | ShotOnWhat?

Editor

Frog and Wombat (1998)

Directed by: Laurie Agard

Cinematography by: Ray Preziosi

Edited by: Laurel Ladevich, Chris Ross Leong, Sam Longoria

Dante's Peak | ShotOnWhat?

Special Effects Technician

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Terminal Velocity | ShotOnWhat?

Camera Electronics

Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Cliffhanger | ShotOnWhat?

Pyro Study High-speed Cinematography

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Mo' Better Blues | ShotOnWhat?

Publicity Assistant: Universal

Mo' Better Blues (1990)

Directed by: Spike Lee

Cinematography by: Ernest R. Dickerson

Edited by: Samuel D. Pollard

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Super Speed Lenses

The Abyss | ShotOnWhat?

Visual Effects Technician

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL Camera, Panavision System 65 Camera

Die Hard | ShotOnWhat?

Effects Technician: Boss

Die Hard (1988)

Directed by: John McTiernan

Cinematography by: Jan de Bont

Edited by: John F. Link, Frank J. Urioste

Cameras: Panavision Panaflex Gold Camera

Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses

Spaceballs | ShotOnWhat?

Visual Effects Machinist: Apogee Inc.

Spaceballs (1987)

Directed by: Mel Brooks

Cinematography by: Nick McLean

Edited by: Conrad Buff IV

Big Trouble in Little China | ShotOnWhat?

Engineer/machinist

Big Trouble in Little China (1986)

Directed by: John Carpenter

Cinematography by: Dean Cundey

Edited by: Steve Mirkovich, Mark Warner, Edward A. Warschilka

Cameras: Panavision Cameras

2010 | ShotOnWhat?

Assistant Cameraman: Entertainment Effects Group

2010: The Year We Make Contact (1984)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Mia Goldman, James Mitchell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ghostbusters | ShotOnWhat?

Assistant Matte Cameraman / Engineer/machinist / Special Projects

Ghostbusters (1984)

Directed by: Ivan Reitman

Cinematography by: László Kovács

Edited by: David E. Blewitt, Sheldon Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Terminator | ShotOnWhat?

Stop-motion Electronics

The Terminator (1984)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Lenses

Animal House | ShotOnWhat?

Party Walla

National Lampoon's Animal House (1978)

Directed by: John Landis

Cinematography by: Charles Correll

Edited by: George Folsey Jr.

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