Harry O'Connor

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xXx | ShotOnWhat?

Aerial Stunt Coordinator / Stunt Double

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

K-PAX | ShotOnWhat?

Stunts

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

The Animal | ShotOnWhat?

Stunts

The Animal (2001)

Directed by: Luke Greenfield

Cinematography by: Peter Lyons Collister

Edited by: Jeff Gourson, Peck Prior

Charlie's Angels | ShotOnWhat?

Skydiving Coordinator

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

The Perfect Storm | ShotOnWhat?

Stunts

The Perfect Storm (2000)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

Firestorm | ShotOnWhat?

Stunt Performer

Firestorm (1998)

Directed by: Dean Semler

Cinematography by: Stephen F. Windon

Edited by: Jack Hofstra

Air Force One | ShotOnWhat?

Military Consultant

Air Force One (1997)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: Richard Francis-Bruce

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Variable Prime Lenses

Tomorrow Never Dies | ShotOnWhat?

Aerial Safety

Tomorrow Never Dies (1997)

Directed by: Roger Spottiswoode

Cinematography by: Robert Elswit

Edited by: Michel Arcand, Dominique Fortin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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