Post-production Supervisor
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Post-production Supervisor
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Post-production Supervisor - English Version
Océans (2009)
Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli
Post-production Supervisor
The Little Matchgirl (2006)
Directed by: Roger Allers
Edited by: Jessica Ambinder-Rojas
Associate Producer - English Language Version
Spirited Away (2001)
Cinematography by: Atsushi Okui
Edited by: Takeshi Seyama
Assistant Production Coordinator: Live Action Unit
Dinosaur (2000)
Edited by: H. Lee Peterson
Cameras: VistaVision Cameras
Staff Assistant
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
