Jerome Samson

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Bird People | ShotOnWhat?

Render Farm: BUF

Bird People (2014)

Directed by: Pascale Ferran

Cinematography by: Julien Hirsch

Edited by: Mathilde Muyard

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Odd Thomas | ShotOnWhat?

In & Out: BUF

Odd Thomas (2013)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: David Checel

Cameras: Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

The Grandmaster | ShotOnWhat?

Head Of Render Farm/in-out: BUF

The Grandmaster (2013)

Directed by: Kar-Wai Wong

Cinematography by: Philippe Le Sourd

Edited by: William Chang, Hung Poon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dark Shadows | ShotOnWhat?

Render Farm: BUF

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Sur la piste du Marsupilami | ShotOnWhat?

Head Of Render Farm: BUF

Sur la piste du Marsupilami (2012)

Directed by: Alain Chabat

Cinematography by: Laurent Dailland

Edited by: Maryline Monthieux

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Thor | ShotOnWhat?

Render Farm: BUF

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Arthur 3: la guerre des deux mondes | ShotOnWhat?

Render Farm Supervisor: BUF

Arthur 3: la guerre des deux mondes (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Head Of Render Farm: BUF

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Solomon Kane | ShotOnWhat?

Head Of Render Farm: BUF

Solomon Kane (2009)

Directed by: M.J. Bassett

Cinematography by: Dan Laustsen

Edited by: Andrew MacRitchie

Head Of Render Farm: BUF

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Knowing | ShotOnWhat?

Head Of Render Farm: BUF

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Océans | ShotOnWhat?

Head Of Render Farm: BUF

Océans (2009)

Directed by: Jacques Perrin, Jacques Cluzaud

Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli

Edited by: Ellen Keneshea, Catherine Mauchain, Gregory F. Plotts, John Damien Ryan, Vincent Schmitt

Enter the Void | ShotOnWhat?

In-out/render Lead Technician: BUF

Enter the Void (2009)

Directed by: Gaspar Noé

Cinematography by: Benoît Debie

Edited by: Marc Boucrot, Gaspar Noé, Jérôme Pesnel

Cameras: Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Ikonoskop Cameras

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra 16 Lenses

Splice | ShotOnWhat?

Head Of Render Farm: BUF

Splice (2009)

Directed by: Vincenzo Natali

Cinematography by: Tetsuo Nagata

Edited by: Michele Conroy

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

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