Post Production Accounts: USA
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Post-production Accountant: R.C. Baral & Company
The Homesman (2014)
Directed by: Tommy Lee Jones
Cinematography by: Rodrigo Prieto
Edited by: Roberto Silvi
Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Post-production Accountant: Additional Photography
Scary Movie 5 (2013)
Cinematography by: Steven Douglas Smith
Edited by: Sam Seig
Cameras: ARRI ALEXA Camera
Post-production Accountant
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Post Production Accountant
Crooked Arrows (2012)
Directed by: Steve Rash
Cinematography by: Dan Stoloff
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Post-production Accountant
The Motorcycle Diaries (2004)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: Daniel Rezende
Cameras: Aaton 35-III Camera, Aaton XTR Prod Camera
Post-production Accountant: US, R.C. Baral & Company, Inc
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Production Accountant
Deterrence (1999)
Directed by: Rod Lurie
Cinematography by: Frank Perl
Edited by: Alan Roberts
Post-production Accountant
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
