Steve Hewlett
'The Crown' No Woman's Land (2022)
Directed by: Erik Richter Strand
Cinematography by: Ben Wilson
Edited by: Stuart Gazzard
Steve Hewlett
'The Crown' Gunpowder (2022)
Directed by: Erik Richter Strand
Cinematography by: Ben Wilson
Edited by: Amy Hounsell
Lieutenant Hutton
1917 (2019)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Tavern Keeper
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Kylo's Shuttle Pilot
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Michael
The Riot Club (2014)
Directed by: Lone Scherfig
Cinematography by: Sebastian Blenkov
Edited by: Jake Roberts
Irritated Reporter
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Dave
Panic Button (2011)
Directed by: Chris Crow
Cinematography by: Simon Poulter
Edited by: John Gillanders
Steve
Freakdog (2008)
Directed by: Paddy Breathnach
Cinematography by: Ruairí O'Brien
Edited by: Dermot Diskin
Eddie Burton
The Bank Job (2008)
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
