Production Designer
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Production Designer
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Art Director: Los Angeles
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Production Designer
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Production Designer
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Production Designer
Hardball (2001)
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
Production Designer
Varsity Blues (1999)
Directed by: Brian Robbins
Cinematography by: Chuck Cohen
Edited by: Ned Bastille
Art Director
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Production Designer
Loaded Weapon 1 (1993)
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Art Director
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Production Designer
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Production Scenic Artist
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Production Painter
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Production Scenic Artist
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Production Scenic Artist
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Scenic Sign Painter
The Dead (1987)
Directed by: John Huston
Cinematography by: Fred Murphy
Edited by: Roberto Silvi
Cameras: Moviecam SuperAmerica Camera
Lenses: Zeiss Lenses
Production Scenic Artist
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Production Scenic Artist
Blue City (1986)
Directed by: Michelle Manning
Cinematography by: Steven Poster
Edited by: Ross Albert
Scenic/signwriter
Big Trouble in Little China (1986)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Production Painter
Commando (1985)
Directed by: Mark L. Lester
Cinematography by: Matthew F. Leonetti
Production Scenic Artist
Weird Science (1985)
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Graphics Designer
Swing Shift (1984)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Paint Foreman / Production Scenic Artist
48 Hrs. (1982)
Directed by: Walter Hill
Cinematography by: Ric Waite
Scenic Sign Painter
Thief (1981)
Directed by: Michael Mann
Cinematography by: Donald E. Thorin
Edited by: Dov Hoenig
Cameras: Panavision Cameras
Scenic Sign Painter
The Postman Always Rings Twice (1981)
Directed by: Bob Rafelson
Cinematography by: Sven Nykvist
Edited by: Graeme Clifford
Scenic/signwriter
Inside Moves (1980)
Directed by: Richard Donner
Cinematography by: László Kovács
Edited by: Frank Morriss
Cameras: Panavision Cameras
Scenic Sign Painter
Heaven's Gate (1980)
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Scenic Sign Painter
The Long Riders (1980)
Directed by: Walter Hill
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Scenic Sign Painter
The Electric Horseman (1979)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Sheldon Kahn
