Transportation Co-captain
'The Mentalist' Red Gold (2011)
Directed by: Tom Verica
Cinematography by: Geary McLeod
Edited by: Christopher Cibelli
Transportation Co-captain
'The Mentalist' Blood in, Blood Out (2010)
Directed by: John Polson
Cinematography by: Michael Goi
Edited by: Glenn Farr
Assistant: Mr. Bridges
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Transportation Co-captain
'The Mentalist' Red Hot (2010)
Directed by: Chris Long
Cinematography by: Geary McLeod
Edited by: David Ekstrom
Driver: Mr. Bridges
A Dog Year (2009)
Directed by: George LaVoo
Cinematography by: Frederick Elmes
Cameras: ARRI Cameras
Transportation Co-captain - 3 Episodes, 2010-2011
The Mentalist (2008)
Directed by: Chris Long, Eric Laneuville, John F. Showalter, Charles Beeson, Randy Zisk, David Barrett, John Polson, Simon Baker, Guy Ferland, Geary McLeod, Martha Mitchell, Norberto Barba, Lesli Linka Glatter, Roxann Dawson, Tom Verica, Elodie Keene, Robert Duncan McNeill, David Nutter, Adam Kane, Stephen Gyllenhaal, Bobby Roth, Anton Cropper, W. Thomas Snyder, James Hayman, Paris Barclay, Matt Earl Beesley, John Behring, Kevin Dowling, Rod Hardy, Paul Holahan, Dean White, Bill D'Elia, Dan Lerner, Darnell Martin, Bruno Heller, Kevin Hooks, David Von Ancken, Allison Anders, Tawnia McKiernan, David Paymer, Bill Eagles, Michael Nankin, J. Miller Tobin, Sylvain White, Rod Holcomb, Paul A. Kaufman, Nina Lopez-Corrado, Edward Ornelas
Cinematography by: Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe
Driver
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Driver
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Driver
61* (2001)
Directed by: Billy Crystal
Cinematography by: Haskell Wexler
Edited by: Michael Jablow
Cameras: ARRIFLEX 435 ES Camera
Driver
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Stand-in: Mr. Travolta
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Stand-in: Mr. Travolta , Stunts
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Assistant: Mr. Travolta
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Stand-in: Mr. Travolta
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Assistant: Mr. Travolta , Driver: Mr. Travolta
She's So Lovely (1997)
Directed by: Nick Cassavetes
Cinematography by: Thierry Arbogast
Edited by: Petra von Oelffen
Assistant: Mr. Travolta, Driver: Mr. Travolta
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Assistant: Mr. Travolta, Driver: Mr. Travolta
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Assistant: Mr. Travolta , Driver: Mr. Travolta
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Transportation Captain
Lush Life (1993)
Directed by: Michael Elias
Cinematography by: Nancy Schreiber
Edited by: Bill Yahraus
Picture Car Supervisor
Moving Violations (1985)
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls