Makeup Department Head - 1 Episode, 2021
1883 (2021)
TV Mini Series
Edited by: Chad Galster, Nathan Gunn, Brooke Rupe, Martin Nicholson, John Coniglio, Christopher Gay, Ryan Malanaphy
Key Makeup Artist: Additional Photography, Utah
Midsommar (2019)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Edited by: Lucian Johnston
Cameras: Panavision Millennium DXL2 Camera
Lenses: Panavision Primo Artiste Lenses
Makeup Department Head
Hereditary (2018)
Directed by: Ari Aster
Cinematography by: Pawel Pogorzelski
Cameras: ARRI ALEXA Mini Camera
Makeup Department Head
'Andi Mack' Hey, Who Wants Pizza? (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Makeup Department Head - 7 Episodes, 2017
Andi Mack (2017)
Directed by: Paul Hoen, Joe Menendez, Michelle Manning, Eyal Gordin, Adam Weissman, Michael Grossman, Jerry O'Connell, Vanessa Parise, David Warren, David Kendall, Charles Minsky, Kenny Ortega, Brent Geisler, Leslie Kolins Small, Aprill Winney
Cinematography by: Matthew Williams
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Makeup Department Head
'Andi Mack' Best Surprise Ever (2017)
Directed by: Vanessa Parise
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Makeup Department Head
'Andi Mack' Home Away from Home (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Makeup Department Head
'Andi Mack' Were We Ever? (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Makeup Department Head
'Andi Mack' Terms of Embarrassment (2017)
Directed by: Adam Weissman
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Makeup Department Head
'Andi Mack' Dad Influence (2017)
Directed by: Jerry O'Connell
Cinematography by: Matthew Williams
Edited by: Jane Choi
Makeup Department Head
'Andi Mack' It's Not About You (2017)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Jane Choi
Makeup Artist
Wind River (2017)
Directed by: Taylor Sheridan
Cinematography by: Ben Richardson
Edited by: Gary Roach
Additional Makeup Artist: Utah
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Makeup Artist
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Makeup: Day Player
17 Miracles (2011)
Directed by: T.C. Christensen
Cinematography by: T.C. Christensen
Edited by: Tanner Christensen
Cameras: ARRIFLEX 16SR Camera, ARRIFLEX 435 Camera
Key Makeup Artist
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Hair & Make Up
HottieBoombaLottie (2008)
Directed by: Seth Packard
Cinematography by: Bianca Cline
Edited by: Seth Packard
Cameras: Panavision Cameras
Makeup Department Head
The American Mall (2008)
Directed by: Shawn Ku
Cinematography by: Matthew Williams
Edited by: Don Brochu
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Makeup Department Head
American Pastime (2007)
Directed by: Desmond Nakano
Cinematography by: Matthew Williams
Edited by: Mark Yoshikawa
Cameras: Moviecam Compact Camera
Key Makeup Artist
Unaccompanied Minors (2006)
Directed by: Paul Feig
Cinematography by: Christopher Baffa
Makeup Artist
North Country (2005)
Directed by: Niki Caro
Cinematography by: Chris Menges
Edited by: David Coulson
Makeup Artist
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Makeup Artist
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Makeup Artist
The Avenging Angel (1995)
Directed by: Craig R. Baxley
Cinematography by: Mark Irwin
Edited by: Mark Helfrich
Key Makeup Artist
Friendship's Field (1995)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Cameras: ARRIFLEX 35 BL4s Camera
Additional Makeup Artist: Utah
Dumb and Dumber (1994)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Makeup Artist
The Sandlot (1993)
Directed by: David Mickey Evans
Cinematography by: Anthony B. Richmond
Edited by: Michael A. Stevenson
