Second Assistant Director
Obsessed (2009)
Directed by: Steve Shill
Cinematography by: Ken Seng
Edited by: Paul Seydor
Cameras: Panavision Panaflex Platinum Camera
First Assistant Director: Second Unit
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Second Assistant Director
Stomp the Yard (2007)
Directed by: Sylvain White
Cinematography by: Scott Kevan
Edited by: David Checel
Second Assistant Director
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Assistant Director: Additional Photography / First Assistant Director
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Second Assistant Director
Coach Carter (2005)
Directed by: Thomas Carter
Cinematography by: Sharone Meir
Edited by: Peter E. Berger
Assistant Director: Additional Photography / Second Assistant Director: Blue Screen Unit
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Second Assistant Director
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Second Assistant Director: Second Unit
'Angel' Players (2003)
Directed by: Michael Grossman
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Second Assistant Director: Second Unit
'Angel' Orpheus (2003)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: George Pilkinton
Second Assistant Director: Second Unit
'Angel' Habeas Corpses (2003)
Directed by: Skip Schoolnik
Cinematography by: Ross Berryman
Edited by: Mark S. Westmore
Second Assistant Director: Second Unit
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Second Assistant Director: Second Unit
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Second Assistant Director
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Second Assistant Director
Dark Blue (2002)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Second Second Assistant Director
Big Fat Liar (2002)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Second Assistant Director: Second Unit
'Angel' Deep Down (2002)
Directed by: Terrence O'Hara
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Second Assistant Director: Second Unit
'Angel' Apocalypse, Nowish (2002)
Directed by: Vern Gillum
Cinematography by: Ross Berryman
Edited by: Mark Goldman
Second Assistant Director
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Second Assistant Director
The Man from Elysian Fields (2001)
Directed by: George Hickenlooper
Cinematography by: Kramer Morgenthau
Edited by: Michael Brown
Assistant Director: Additional Photography / Second Second Assistant Director
Freddy Got Fingered (2001)
Directed by: Tom Green
Cinematography by: Mark Irwin
Edited by: Jacqueline Cambas
Assistant Director: Additional Photography / Second Second Assistant Director
How High (2001)
Directed by: Jesse Dylan
Cinematography by: Francis Kenny
Edited by: Larry Bock
Second Assistant Director - 5 Episodes, 2002-2003
Angel (1999)
Directed by: James A. Contner, Joss Whedon, David Greenwalt, Tim Minear, Bill Norton, Terrence O'Hara, Skip Schoolnik, Marita Grabiak, Vern Gillum, David Grossman, Michael Grossman, Frederick King Keller, Jefferson Kibbee, David Straiton, Bruce Seth Green, Turi Meyer, Jeffrey Bell, Steven S. DeKnight, Scott McGinnis, R.D. Price, Thomas J. Wright, Michael Lange, David Semel, Tucker Gates, Regis Kimble, Winrich Kolbe, Nick Marck, Krishna Rao, James Whitmore Jr., Sean Astin, David Boreanaz, Ben Edlund, David Fury, John Blush
Edited by: Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Set Assistant
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Production Assistant
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Production Assistant
Leave It to Beaver (1997)
Directed by: Andy Cadiff
Cinematography by: Thomas Del Ruth
Edited by: Alan Heim
Production Assistant
Andersonville (1996)
Directed by: John Frankenheimer
Cinematography by: Ric Waite
Edited by: Paul Rubell
Production Assistant
Eddie (1996)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Richard Halsey
