Keith Ukrisna

19 Titles

Is this you? Add a Profile

Indiana Jones and the Dial of Destiny | ShotOnWhat?

Music Recorded At: Streisand Scoring Stage Sony Pictures

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Additional Score Recordist

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Babylon | ShotOnWhat?

Scoring Stage Recordist

Babylon (2022)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Scoring Stage Crew

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

A Beautiful Day in the Neighborhood | ShotOnWhat?

Pro Tools Operator

A Beautiful Day in the Neighborhood (2019)

Directed by: Marielle Heller

Cinematography by: Jody Lee Lipes

Edited by: Anne McCabe

Cameras: ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Incredibles 2 | ShotOnWhat?

Score Recordist

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Christopher Robin | ShotOnWhat?

Score Recordist

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

First Man | ShotOnWhat?

Stage Crew: Streisand Scoring Stage

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Baywatch | ShotOnWhat?

Score Mix Assistant

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Sausage Party | ShotOnWhat?

Assistant Engineer

Sausage Party (2016)

Directed by: Greg Tiernan, Conrad Vernon

Edited by: Kevin Pavlovic

Bad Moms | ShotOnWhat?

Assistant Engineer

Bad Moms (2016)

Directed by: Jon Lucas, Scott Moore

Cinematography by: Jim Denault

Edited by: Emma E. Hickox, James Thomas

Ride Along 2 | ShotOnWhat?

Assistant Engineer

Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Boss | ShotOnWhat?

Assistant Engineer

The Boss (2016)

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leitz Summilux-C Series Lenses

My Big Fat Greek Wedding 2 | ShotOnWhat?

Pro Tools: And Assistant Mix Engineer

My Big Fat Greek Wedding 2 (2016)

Directed by: Kirk Jones

Cinematography by: Jim Denault

Edited by: Mark Czyzewski

Cameras: Red Epic Dragon Camera

The Wedding Ringer | ShotOnWhat?

Score Recorder

The Wedding Ringer (2015)

Directed by: Jeremy Garelick

Cinematography by: Bradford Lipson

Edited by: Jeff Groth, Shelly Westerman, Byron Wong

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Horrible Bosses 2 | ShotOnWhat?

Pro Tools Operator

Horrible Bosses 2 (2014)

Directed by: Sean Anders

Cinematography by: Julio Macat

Edited by: Eric Kissack

Cameras: ARRI ALEXA XT Camera

Lenses: Leitz Summilux-C Series Lenses

Identity Thief | ShotOnWhat?

Second Music Engineer

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Thanks for Sharing | ShotOnWhat?

Assistant Engineer

Thanks for Sharing (2012)

Directed by: Stuart Blumberg

Cinematography by: Yaron Orbach

Edited by: Anne McCabe

Cameras: ARRI ALEXA Camera

©2012 - 2025 ShotOnWhat?

20254.20