Andrew Slyder

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Thor | ShotOnWhat?

Costumer

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Jack and Jill | ShotOnWhat?

Costumer: Mr. Sandler

Jack and Jill (2011)

Directed by: Dennis Dugan

Cinematography by: Dean Cundey

Edited by: Tom Costain

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

You Don't Mess with the Zohan | ShotOnWhat?

Costumer

You Don't Mess with the Zohan (2008)

Directed by: Dennis Dugan

Cinematography by: Michael Barrett

Edited by: Tom Costain

Cameras: Panavision Genesis Camera

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Set Costumer

I Now Pronounce You Chuck & Larry (2007)

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

There Will Be Blood | ShotOnWhat?

On-set Costumer: Los Angeles

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Click | ShotOnWhat?

Costumer

Click (2006)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bewitched | ShotOnWhat?

Costumer

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

The Terminal | ShotOnWhat?

Key Costumer

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

The Ladykillers | ShotOnWhat?

Set Costumer

The Ladykillers (2004)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Editing System: Final Cut Pro Editing System

Intolerable Cruelty | ShotOnWhat?

Set Costumer

Intolerable Cruelty (2003)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

Punch-Drunk Love | ShotOnWhat?

Additional Costumer

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Catch Me If You Can | ShotOnWhat?

Key Set Costumer

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Master of Disguise | ShotOnWhat?

Set Costumer

The Master of Disguise (2002)

Directed by: Perry Andelin Blake

Cinematography by: Peter Lyons Collister

Edited by: Peck Prior, Sandy S. Solowitz

Cameras: Panavision Cameras

Hellraiser: Inferno | ShotOnWhat?

Costume Supervisor

Hellraiser: Inferno (2000)

Direct to Video

Directed by: Scott Derrickson

Cinematography by: Nathan Hope

Edited by: Kirk M. Morri

Magnolia | ShotOnWhat?

Set Costumer

Magnolia (1999)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Cameras, Pathé Cameras

Lenses: Panavision Lenses

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