Tom Gagnon

13 Titles

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Transformers: Dark of the Moon | ShotOnWhat?

Set Dresser: Chicago

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Unborn | ShotOnWhat?

Gang Boss

The Unborn (2009)

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Horsemen | ShotOnWhat?

Gang Boss: Additional Photography

Horsemen (2009)

Directed by: Jonas Åkerlund

Cinematography by: Eric Broms

Edited by: Jim May, Todd E. Miller

The Promotion | ShotOnWhat?

Swing Gang

The Promotion (2008)

Directed by: Steve Conrad

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein, Tim Streeto

Stranger Than Fiction | ShotOnWhat?

Swing Gang

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Weather Man | ShotOnWhat?

Set Dresser

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

Barbershop | ShotOnWhat?

Set Dresser

Barbershop (2002)

Directed by: Tim Story

Cinematography by: Tom Priestley Jr.

Edited by: John Carter

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Road to Perdition | ShotOnWhat?

Swing Gang

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Mercury Rising | ShotOnWhat?

Set Dresser: Chicago

Mercury Rising (1998)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

Home Alone 3 | ShotOnWhat?

Special Effects Labor Foreman

Home Alone 3 (1997)

Directed by: Raja Gosnell

Cinematography by: Julio Macat

Edited by: Malcolm Campbell, Bruce Green, David Rennie

Cameras: Panavision Panaflex Gold Camera

Love Jones | ShotOnWhat?

Swing Gang

Love Jones (1997)

Directed by: Theodore Witcher

Cinematography by: Ernest Holzman

Edited by: Maysie Hoy

Cameras: Panavision Cameras

Chain Reaction | ShotOnWhat?

Special Effects Foreman

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Home Alone 2: Lost in New York | ShotOnWhat?

Swing Gang

Home Alone 2: Lost in New York (1992)

Directed by: Chris Columbus

Cinematography by: Julio Macat

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

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