Special Effects Coordinator
'Dexter' Are We There Yet? (2013)
Directed by: Holly Dale
Cinematography by: Jeffrey Jur
Edited by: Amy E. Duddleston
Special Effects Coordinator
'Dexter' Dress Code (2013)
Directed by: Alik Sakharov
Cinematography by: Jeffrey Jur
Edited by: Louis Cioffi
Special Effects Coordinator
'Dexter' A Little Reflection (2013)
Directed by: John Dahl
Cinematography by: Jeffrey Jur
Edited by: Keith Henderson
Special Effects Coordinator
'Dexter' This Little Piggy (2013)
Directed by: Romeo Tirone
Cinematography by: Jeffrey Jur
Edited by: Amy E. Duddleston
Special Effects Coordinator
'Dexter' Scar Tissue (2013)
Directed by: Stefan Schwartz
Cinematography by: Jeffrey Jur
Edited by: Louis Cioffi
Special Effects Coordinator
'Dexter' What's Eating Dexter Morgan? (2013)
Directed by: Ernest R. Dickerson
Cinematography by: Jeffrey Jur
Edited by: Keith Henderson
Special Effects Coordinator
'Dexter' Every Silver Lining... (2013)
Directed by: Michael C. Hall
Cinematography by: Jeffrey Jur
Edited by: Amy E. Duddleston
Special Effects Coordinator
'Dexter' A Beautiful Day (2013)
Directed by: Keith Gordon
Cinematography by: Jeffrey Jur
Edited by: Louis Cioffi
Special Effects Coordinator
'Dexter' Make Your Own Kind of Music (2013)
Directed by: John Dahl
Cinematography by: Jeffrey Jur
Edited by: Keith Henderson
Special Effects Coordinator
'Dexter' Goodbye Miami (2013)
Directed by: Steve Shill
Cinematography by: Jeffrey Jur
Edited by: Louis Cioffi
Special Effects Coordinator
'Dexter' Monkey in a Box (2013)
Directed by: Ernest R. Dickerson
Cinematography by: Jeffrey Jur
Edited by: Amy E. Duddleston
Special Effects Coordinator
'Dexter' Remember the Monsters? (2013)
Directed by: Steve Shill
Cinematography by: Jeffrey Jur
Special Effects Foreperson
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Special Effects Coordinator
Sweet Nothing in My Ear (2008)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
Special Effects Coordinator - 12 Episodes, 2013
Dexter (2006)
Directed by: John Dahl, Steve Shill, Keith Gordon, Marcos Siega, Ernest R. Dickerson, Romeo Tirone, Michael Cuesta, Tony Goldwyn, S.J. Clarkson, Stefan Schwartz, Robert Lieberman, Nick Gomez, Tim Hunter, Michael Lehmann, Holly Dale, Alik Sakharov, Adam Davidson, Jeremy Podeswa, Brian Kirk, Milan Cheylov, Seith Mann, Michael C. Hall
Special Effects Coordinator
'CSI: Miami' Innocent (2004)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Complications (2004)
Directed by: Scott Lautanen
Cinematography by: Dermott Downs
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Witness to Murder (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Special Effects Coordinator
'CSI: Miami' Blood Moon (2004)
Directed by: Scott Lautanen
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Slow Burn (2004)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Stalkerazzi (2004)
Directed by: Deran Sarafian
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Invasion (2004)
Directed by: Félix Enríquez Alcalá
Cinematography by: Dermott Downs
Edited by: Scott Lerner
Special Effects Coordinator
'CSI: Miami' Money for Nothing (2004)
Directed by: Karen Gaviola
Cinematography by: Dermott Downs
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Wannabe (2004)
Directed by: Frederick King Keller
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Special Effects Coordinator
'CSI: Miami' Deadline (2004)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' The Oath (2004)
Directed by: Duane Clark
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Not Landing (2004)
Directed by: Joe Chappelle
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Rap Sheet (2004)
Directed by: David Grossman
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' MIA/NYC Nonstop (2004)
Directed by: Danny Cannon
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Extreme (2003)
Directed by: Karen Gaviola
Cinematography by: Thomas Yatsko
Edited by: Mark C. Baldwin
Special Effects Foreperson: Utah
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Special Effects Coordinator
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Special Effects Coordinator
'CSI: Miami' Bait (2003)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Scott Lerner
Special Effects Coordinator
'CSI: Miami' Big Brother (2003)
Directed by: Joe Chappelle
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Grand Prix (2003)
Directed by: David Grossman
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Hurricane Anthony (2003)
Directed by: Joe Chappelle
Edited by: Scott Lerner
Special Effects Coordinator
'CSI: Miami' The Best Defense (2003)
Directed by: Scott Lautanen
Cinematography by: Thomas Yatsko
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Hard Time (2003)
Directed by: Deran Sarafian
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Dead Zone (2003)
Directed by: Joe Chappelle
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Blood Brothers (2003)
Directed by: Danny Cannon
Cinematography by: Dermott Downs
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Death Grip (2003)
Directed by: David Grossman
Cinematography by: Thomas Yatsko
Edited by: Scott Lerner
Special Effects Coordinator - 24 Episodes, 2003-2004
CSI: Miami (2002)
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Special Effects Coordinator
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Special Effects Coordinator
Legally Blonde (2001)
Directed by: Robert Luketic
Cinematography by: Anthony B. Richmond
Special Effects Coordinator
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Special Effects Supervisor: USA
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Special Effects Coordinator: San Francisco Unit
The Bachelor (1999)
Directed by: Gary Sinyor
Cinematography by: Simon Archer
Special Effects Foreman
Anywhere But Here (1999)
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Special Effects Coordinator
The Craft (1996)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Special Effects Coordinator
Kingpin (1996)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Special Effects Coordinator
Three Wishes (1995)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Special Effects Coordinator
Airheads (1994)
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Special Effects Supervisor
The Butcher's Wife (1991)
Directed by: Terry Hughes
Cinematography by: Frank Tidy
Edited by: Donn Cambern
Creature Shop Coordinator
Big Trouble in Little China (1986)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Mechanical Animation
Weird Science (1985)
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Mechanical Animation Coordinator: Special Makeup Effects Unit
The Thing (1982)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
