Kevin Halloran

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The Last Duel | ShotOnWhat?

Executive Producer

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Ford v Ferrari | ShotOnWhat?

Executive Producer, Unit Production Manager

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

Million Dollar Arm | ShotOnWhat?

Executive Producer

Million Dollar Arm (2014)

Directed by: Craig Gillespie

Cinematography by: Gyula Pados

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Parental Guidance | ShotOnWhat?

Executive Producer

Parental Guidance (2012)

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Water for Elephants | ShotOnWhat?

Executive Producer, Unit Production Manager

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Tooth Fairy | ShotOnWhat?

Co-producer, Unit Production Manager

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Bridge to Terabithia | ShotOnWhat?

Co-producer, Unit Production Manager

Bridge to Terabithia (2007)

Directed by: Gabor Csupo

Cinematography by: Michael Chapman

Edited by: John Gilbert

Cameras: Panavision Cameras

Eragon | ShotOnWhat?

Co-producer: Canada

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Flicka | ShotOnWhat?

Co-producer

Flicka (2006)

Directed by: Michael Mayer

Cinematography by: James M. Muro

Edited by: Andrew Marcus

The Game of Their Lives | ShotOnWhat?

Line Producer: Washington, D.c.

The Game of Their Lives (2005)

Directed by: David Anspaugh

Cinematography by: Johnny E. Jensen

Edited by: Ian Crafford, Lee Grubin, Bud S. Smith, M. Scott Smith

House of Sand and Fog | ShotOnWhat?

Production Supervisor

House of Sand and Fog (2003)

Directed by: Vadim Perelman

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin

Cameras: ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

View from the Top | ShotOnWhat?

Production Supervisor: Additional Photography

View from the Top (2003)

Directed by: Bruno Barreto

Cinematography by: Affonso Beato

Edited by: Christopher Greenbury, Ray Hubley, Charles Ireland

Deliver Us from Eva | ShotOnWhat?

Production Supervisor

Deliver Us from Eva (2003)

Directed by: Gary Hardwick

Cinematography by: Alexander Gruszynski

Edited by: Earl Watson

Shallow Hal | ShotOnWhat?

Production Supervisor: Second Unit

Shallow Hal (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

The Minus Man | ShotOnWhat?

Reporter, Unit Production Manager

The Minus Man (1999)

Directed by: Hampton Fancher

Cinematography by: Bobby Bukowski

Edited by: Todd C. Ramsay

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