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Lupin | ShotOnWhat?

Mechanical Special Effects - 3 Episodes, 2023

Lupin (2021)

Television Series

Directed by: Ludovic Bernard, Louis Leterrier, Hugo Gélin, Xavier Gens, Daniel Grou, Marcela Said

Cinematography by: Christophe Nuyens, Maxime Cointe, Nicolas Massart, Martial Schmeltz

Edited by: Jean-Daniel Fernandez Qundez, Audrey Simonaud, Romain Rioult, Richard Marizy, Matthilde Carlier, Vincent Tabaillon

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: P+S Technik TECHNOVISION 1.5x 100 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 135 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 40 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 40-70 mm T3.2 Lens, P+S Technik TECHNOVISION 1.5x 50 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 75 mm T2.5 Lens

The Transporter Refueled | ShotOnWhat?

Special Effects Coordinator

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

The Search | ShotOnWhat?

Special Effects Coordinator

The Search (2014)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

La liste de mes envies | ShotOnWhat?

Special Effects Technician

La liste de mes envies (2014)

Directed by: Didier Le Pêcheur

Cinematography by: Myriam Vinocour

Edited by: Christine Lucas Navarro

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Stroller Strategy | ShotOnWhat?

Special Effects Coordinator

The Stroller Strategy (2012)

Directed by: Clément Michel

Cinematography by: Steeven Petitteville

Edited by: Julie Dupré

Cameras: ARRI ALEXA Plus Camera

Lenses: Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Cloclo | ShotOnWhat?

Special Effects Technician

Cloclo (2012)

Directed by: Florent-Emilio Siri

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Killer Elite | ShotOnWhat?

Special Effects Technician

Killer Elite (2011)

Directed by: Gary McKendry

Cinematography by: Simon Duggan

Edited by: John Gilbert

"Braquo" Seuls contre tous | ShotOnWhat?

Special Effects Supervisor

'Braquo' Seuls contre tous (2011)

Television Episode

Directed by: Philippe Haïm

Cinematography by: Vincent Muller

Edited by: Stratos Gabrielidis

"Braquo" Les damnés | ShotOnWhat?

Special Effects Supervisor

'Braquo' Les damnés (2011)

Television Episode

Directed by: Philippe Haïm

Cinematography by: Vincent Muller

Edited by: Stratos Gabrielidis

Midnight in Paris | ShotOnWhat?

Special Effects Technician

Midnight in Paris (2011)

Directed by: Woody Allen

Cinematography by: Darius Khondji

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses

Braquo | ShotOnWhat?

Special Effects Supervisor - 2 Episodes, 2011

Braquo (2009)

Television Series

Directed by: Xavier Palud, Olivier Marchal, Frédéric Schoendoerffer, Philippe Haïm, Eric Valette, Manuel Boursinhac, Frédéric Jardin

Cinematography by: Michel Amathieu, Denis Rouden, Jean-Pierre Sauvaire, Laurent Barès, Vincent Muller, Jean-Marc Fabre, Laurent Tangy

Edited by: Christophe Pinel, Stratos Gabrielidis, Raphaele Urtin, Sébastien Prangère, Joël Jacovella, Guillaume Houssais, Katya Chelli, Dominique Mazzoléni, Pauline Pallier, Stéphanie Mahet, Basile Belkhiri

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

The Heir Apparent: Largo Winch | ShotOnWhat?

Special Effects Technician

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

"Mafiosa" Episode #2.2 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.2 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

"Mafiosa" Episode #2.1 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.1 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

"Mafiosa" Episode #2.3 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.3 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

"Mafiosa" Episode #2.4 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.4 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

"Mafiosa" Episode #2.5 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.5 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

"Mafiosa" Episode #2.6 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.6 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

"Mafiosa" Episode #2.7 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.7 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

"Mafiosa" Episode #2.8 | ShotOnWhat?

Special Effects Technician

'Mafiosa' Episode #2.8 (2008)

Television Episode

Directed by: Hugues Pagan, Eric Rochant

Cinematography by: Aleksander Kaufmann, Pierre Novion

Edited by: Pascale Fenouillet, Sylvie Pontoizeau

The Diving Bell and the Butterfly | ShotOnWhat?

Special Effects

The Diving Bell and the Butterfly (2007)

Directed by: Julian Schnabel

Cinematography by: Janusz Kaminski

Edited by: Juliette Welfling

Cameras: ARRIFLEX 435 Camera

Lenses: ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

Je vais bien, ne t'en fais pas | ShotOnWhat?

Special Effects Technician

Je vais bien, ne t'en fais pas (2006)

Directed by: Philippe Lioret

Cinematography by: Sascha Wernik

Edited by: Judith Rivière Kawa, Andrea Sedlácková

Mafiosa | ShotOnWhat?

Special Effects Technician - 8 Episodes, 2008

Mafiosa (2006)

Television Series

Directed by: Hugues Pagan, Eric Rochant, Pierre Leccia, Louis Choquette

Cinematography by: Aleksander Kaufmann, Pierre Novion, Patrick Blossier

Edited by: Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson

Cameras: ARRI ALEXA Camera, ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses

Angel-A | ShotOnWhat?

Special Effects

Angel-A (2005)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Christine Lucas Navarro, Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Immortel (ad vitam) | ShotOnWhat?

Special Effects

Immortal (2004)

Directed by: Enki Bilal

Cinematography by: Pascal Gennesseaux

Edited by: Véronique Parnet

Les rivières pourpres 2 - Les anges de l'apocalypse | ShotOnWhat?

Special Effects

Les rivières pourpres 2 - Les anges de l'apocalypse (2004)

Directed by: Olivier Dahan

Cinematography by: Alex Lamarque

Edited by: Richard Marizy

Arsène Lupin | ShotOnWhat?

Special Effects Props

Arsène Lupin (2004)

Directed by: Jean-Paul Salomé

Cinematography by: Pascal Ridao

Edited by: Marie-Pierre Renaud

Demonlover | ShotOnWhat?

Special Effects

Demonlover (2002)

Directed by: Olivier Assayas

Cinematography by: Denis Lenoir

Edited by: Luc Barnier

Nid de guêpes | ShotOnWhat?

Special Effects Technician

Nid de guêpes (2002)

Directed by: Florent-Emilio Siri

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Christophe Danilo, Olivier Gajan

The Transporter | ShotOnWhat?

Special Effects Technician

The Transporter (2002)

Directed by: Louis Leterrier, Corey Yuen

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

Taxi 2 | ShotOnWhat?

Special Effects Technician

Taxi 2 (2000)

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Thierry Hoss

The Dinner Game | ShotOnWhat?

Special Effects

Le Dîner de Cons (1998)

Directed by: Francis Veber

Cinematography by: Luciano Tovoli

Edited by: Georges Klotz

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