Post Producer: Institution Post
Stranger in the House (2015)
Directed by: Devon Gummersall
Cinematography by: David Maurice Gil
Edited by: Jacob Chase
Cameras: ARRI ALEXA Series Cameras
Lenses: Panavision PVintage Prime Lenses
Vfx Producer: Institution Post / Vfx Producer: The Institution Post
Veronica Mars (2014)
Directed by: Rob Thomas
Cinematography by: Ben Kutchins
Edited by: Daniel Gabbe
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Post Production Supervisor
A Stranger in Paradise (2013)
Directed by: Corrado Boccia
Cinematography by: Guy Livneh
Cameras: Red One MX Camera
Visual Effects Coordinator: Digital Dimension
The Warrior's Way (2010)
Directed by: Sngmoo Lee
Cinematography by: Woo-hyung Kim
Edited by: Jonathan Woodford-Robinson
Stereo Conversion Production Manager: Prime Focus World
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
View D Coordinator: Prime Focus
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Lighting Coordinator: SPI
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Production Coordinator: Digital Dimension
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Production Coordinator: Digital Dimension
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Production Coordinator: Digital Dimension
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Production Coordinator: Digital Dimension
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Production Coordinator: Digital Dimension
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Production Coordinator: Digital Dimension
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Production Coordinator: Digital Dimension
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
