Visual Effects On-set Supervisor
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
On-set Visual Effects Supervisor / On-set Visual Effects Supervisor: Los Angeles Ocean & Shipping Lane Unit
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Tooth Fairy 2 (2012)
Directed by: Alex Zamm
Cinematography by: Levie Isaacks
Edited by: Heath Ryan
Cameras: ARRI ALEXA Camera
On-set Visual Effects Supervisor
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
On Set Visual Effects Supervisor
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Visual Effects Supervisor: C.O.R.E. Digital Pictures Inc.
Suck (2009)
Directed by: Rob Stefaniuk
Cinematography by: D. Gregor Hagey
Edited by: Michele Conroy
On-set Visual Effects Supervisor
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Visual Effects On-set Supervisor
Killshot (2008)
Directed by: John Madden
Cinematography by: Caleb Deschanel
On-set Visual Effects Technician: C.O.R.E. Digital Pictures
Silent Hill (2006)
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Edited by: Sébastien Prangère
On Set Visual Effects Supervisor
Against the Ropes (2004)
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
On-set Supervisor: C.O.R.E. Digital Pictures
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
On Set Visual Effects Supervisor
Anonymous Rex (2004)
Directed by: Julian Jarrold
Cinematography by: Albert J. Dunk
Assistant On-set Supervisor
Harold & Kumar Go to White Castle (2004)
Directed by: Danny Leiner
Cinematography by: Bruce Douglas Johnson
Edited by: Jeff Betancourt
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Assistant Visual Effects Supervisor
The Music Man (2003)
Directed by: Jeff Bleckner
Cinematography by: James Chressanthis
Assistant Visual Effects Supervisor
Nothing (2003)
Directed by: Vincenzo Natali
Cinematography by: Derek Rogers
Edited by: Michele Conroy
Assistant On-set Supervisor: C.O.R.E. Digital Pictures
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire