Osmani Rodriguez

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The Holdovers | ShotOnWhat?

Pharmacist

The Holdovers (2023)

Directed by: Alexander Payne

Cinematography by: Eigil Bryld

Edited by: Kevin Tent

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

A Blood Throne | ShotOnWhat?

Lucius

A Blood Throne (2020)

Directed by: Xavier Garcia

Cinematography by: Jonathan Garcia

Edited by: Xavier Garcia

Cameras: Panasonic Lumix DMC-GH5 Camera

Lenses: SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Sex Tape | ShotOnWhat?

Principal

Sex Tape (2014)

Directed by: Jake Kasdan

Cinematography by: Tim Suhrstedt

Edited by: Steve Edwards, Tara Timpone

Cameras: ARRI ALEXA XT Camera

American Hustle | ShotOnWhat?

Stand-in: Michael Pena

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

The Maiden Heist | ShotOnWhat?

Carlos

The Maiden Heist (2009)

Directed by: Peter Hewitt

Cinematography by: Ueli Steiger

Edited by: Carole Kravetz Aykanian

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Departed | ShotOnWhat?

Reporter

The Departed (2006)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Lightworks Editing System

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