Re-recording Mixer
Elvis (2022)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Re-recording Mixer
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Re-recording Mixer
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Re-recording Mixer
The Water Diviner (2014)
Directed by: Russell Crowe
Cinematography by: Andrew Lesnie
Edited by: Matt Villa
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Sound Mix Liaison
Two Hands (1999)
Directed by: Gregor Jordan
Cinematography by: Malcolm McCulloch
Edited by: Lee Smith
Sound Mix Liaison
Dear Claudia (1999)
Directed by: Chris Cudlipp
Cinematography by: Brian J. Breheny
Edited by: Bill Murphy
Sound Mix Liaison
Kiss or Kill (1997)
Directed by: Bill Bennett
Cinematography by: Malcolm McCulloch
Edited by: Henry Dangar
Production Assistant
Mandela and de Klerk (1997)
Directed by: Joseph Sargent
Cinematography by: Tobias A. Schliessler
Sound Mix Liason
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Sound Pre Mix Assistant
Rapa Nui (1994)
Directed by: Kevin Reynolds
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
