First Assistant Sound Editor
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Apprentice Editor , First Assistant Sound Editor
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Sound Re-recordist
O (2001)
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Edited by: Kate Sanford
Re-recordist
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Machine Room Operator
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Machine Room Operator
Komodo (1999)
Directed by: Michael Lantieri
Cinematography by: David Burr
Edited by: Michael Fallavollita
Machine Room Operator
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Re-recordist
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Re-recordist: Skywalker Sound
Titus (1999)
Directed by: Julie Taymor
Cinematography by: Luciano Tovoli
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Re-recordist
Anywhere But Here (1999)
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Machine Room Operator
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Re-Recordist: Audio Restoration And Re-Mixing
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
