Digital Intermediate Conform Editor
Brooklyn (2015)
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Data Transfer
Son of God (2014)
Directed by: Christopher Spencer
Cinematography by: Rob Goldie
Edited by: Robert Hall
Cameras: ARRI ALEXA Plus Camera
Lenses: ARRI / Fujinon Lenses
Data Transfer: Molinare
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Data Transfer
The Two Faces of January (2014)
Directed by: Hossein Amini
Cinematography by: Marcel Zyskind
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk C-Series Lenses
Data Transfer
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Data Transfer
'71 (2014)
Directed by: Yann Demange
Cinematography by: Tat Radcliffe
Edited by: Chris Wyatt
Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera
Digital Intermediate Conform Editor
Virunga (2014)
Directed by: Orlando von Einsiedel
Cinematography by: Franklin Dow
Lenses: Canon Lenses, Fujinon Alura Lenses
Data Transfer
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Digital Intermediate Data Transfer
Belle (2013)
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
