Todd Black

19 Titles

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Roman J. Israel, Esq. | ShotOnWhat?

Producer - Produced By - P.g.a.

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Southpaw | ShotOnWhat?

Producer

Southpaw (2015)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Equalizer | ShotOnWhat?

Producer

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Sex Tape | ShotOnWhat?

Producer

Sex Tape (2014)

Directed by: Jake Kasdan

Cinematography by: Tim Suhrstedt

Edited by: Steve Edwards, Tara Timpone

Cameras: ARRI ALEXA XT Camera

Hope Springs | ShotOnWhat?

Producer

Hope Springs (2012)

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Steven Weisberg

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

The Back-up Plan | ShotOnWhat?

Producer

The Back-up Plan (2010)

Directed by: Alan Poul

Cinematography by: Xavier Grobet

Edited by: Priscilla Nedd-Friendly

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Knowing | ShotOnWhat?

Producer

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Taking of Pelham 1 2 3 | ShotOnWhat?

Producer

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Seven Pounds | ShotOnWhat?

Producer

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

The Great Debaters | ShotOnWhat?

Producer

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Pursuit of Happyness | ShotOnWhat?

Producer

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Weather Man | ShotOnWhat?

Producer

The Weather Man (2005)

Directed by: Gore Verbinski

Cinematography by: Phedon Papamichael

Edited by: Craig Wood

Cameras: Panavision Panaflex Millennium XL2 Camera

S.W.A.T. | ShotOnWhat?

Co-executive Producer

S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

A Family Thing | ShotOnWhat?

Producer

A Family Thing (1996)

Directed by: Richard Pearce

Cinematography by: Fred Murphy

Edited by: Mark Warner

Dunston Checks In | ShotOnWhat?

Producer

Dunston Checks In (1996)

Directed by: Ken Kwapis

Cinematography by: Peter Lyons Collister

Edited by: Jon Poll

Cameras: Panavision Cameras

Wrestling Ernest Hemingway | ShotOnWhat?

Producer

Wrestling Ernest Hemingway (1993)

Directed by: Randa Haines

Cinematography by: Lajos Koltai

Edited by: Paul Hirsch

Fire in the Sky | ShotOnWhat?

Producer

Fire in the Sky (1993)

Directed by: Robert Lieberman

Cinematography by: Bill Pope

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Stop! Or My Mom Will Shoot | ShotOnWhat?

Executive Producer

Stop! Or My Mom Will Shoot (1992)

Directed by: Roger Spottiswoode

Cinematography by: Frank Tidy

Edited by: Mark Conte, Lois Freeman-Fox

Class Act | ShotOnWhat?

Producer

Class Act (1992)

Directed by: Randall Miller

Cinematography by: Francis Kenny

Edited by: John F. Burnett, Richard Leeman

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