Dwight D. Eisenhower

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"The X-Files" The Lost Art of Forehead Sweat | ShotOnWhat?

Himself

'The X-Files' The Lost Art of Forehead Sweat (2018)

Television Episode

Directed by: Darin Morgan

Cinematography by: Craig Wrobleski

Edited by: Eleanor Infante

The Post | ShotOnWhat?

Self

The Post (2017)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

"Ancient Aliens" The Mysterious Nine | ShotOnWhat?

Himself

'Ancient Aliens' The Mysterious Nine (2016)

Television Episode

Edited by: Eric Sievering

Carol | ShotOnWhat?

Himself

Carol (2015)

Directed by: Todd Haynes

Cinematography by: Edward Lachman

Edited by: Affonso Gonçalves

Cameras: ARRIFLEX 416 Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

"Ancient Aliens" The NASA Connection | ShotOnWhat?

Himself

'Ancient Aliens' The NASA Connection (2012)

Television Episode

Edited by: Chad Inman

"Bones" The Change in the Game | ShotOnWhat?

Himself

'Bones' The Change in the Game (2011)

Television Episode

Directed by: Ian Toynton

Cinematography by: Gordon Lonsdale

Edited by: Richard Currie

The Special Relationship | ShotOnWhat?

Himself

The Special Relationship (2010)

Television Movie

Directed by: Richard Loncraine

Cinematography by: Barry Ackroyd

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Live Free or Die Hard | ShotOnWhat?

Himself

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

"Mad Men" Long Weekend | ShotOnWhat?

Himself - US President

'Mad Men' Long Weekend (2007)

Television Episode

Directed by: Tim Hunter

Cinematography by: Bill Roe

Edited by: Malcolm Jamieson

Good Night, and Good Luck. | ShotOnWhat?

Himself

Good Night, and Good Luck. (2005)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Long Way Home | ShotOnWhat?

Himself - Visits Feldafing DP Camp

The Long Way Home (1997)

Directed by: Mark Jonathan Harris

Cinematography by: Don Lenzer

Edited by: Kate Amend

Soul of the Game | ShotOnWhat?

Himself

Soul of the Game (1996)

Television Movie

Directed by: Kevin Rodney Sullivan

Cinematography by: Sandi Sissel

Edited by: Victor Du Bois

Nixon | ShotOnWhat?

Himself - Returning From WW2 / Throwing Out First Ball / Handshake With JFK

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

JFK | ShotOnWhat?

Himself - Farewell Address

JFK (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Joe Hutshing, Pietro Scalia

Cameras: ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E35 35 mm T2.0 Lens

Editing System: K.E.M. Editing System

A Bridge Too Far | ShotOnWhat?

Himself - Plans For D-Day

A Bridge Too Far (1977)

Directed by: Richard Attenborough

Cinematography by: Geoffrey Unsworth

Edited by: Antony Gibbs

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