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Albert M. Shapiro

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Ballistic: Ecks vs. Sever | ShotOnWhat?

First Assistant Director

Ballistic: Ecks vs. Sever  (2002)

Directed by: Wych Kaosayananda
Cinematography by: Julio Macat
Edited by: Jay Cassidy, Caroline Ross
Cameras: , ,
Lenses:
The 6th Day | ShotOnWhat?

First Assistant Director

The 6th Day  (2000)

Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Edited by: Michel Arcand, Mark Conte, Dominique Fortin
Nurse Betty | ShotOnWhat?

Associate Producer, First Assistant Director

Nurse Betty  (2000)

Directed by: Neil LaBute
Cinematography by: Jean-Yves Escoffier
Edited by: Joel Plotch, Steven Weisberg
Picking Up the Pieces | ShotOnWhat?

First Assistant Director: Second Unit

Picking Up the Pieces  (2000)

Directed by: Alfonso Arau
Cinematography by: Vittorio Storaro
Edited by: Michael R. Miller
Varsity Blues | ShotOnWhat?

First Assistant Director

Varsity Blues  (1999)

Directed by: Brian Robbins
Cinematography by: Chuck Cohen
Edited by: Ned Bastille
The Parent Trap | ShotOnWhat?

First Assistant Director

The Parent Trap  (1998)

Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Lolita | ShotOnWhat?

First Assistant Director

Lolita  (1997)

Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Edited by: David Brenner, Julie Monroe
Cameras:
Lenses:
Editing System:
Fathers' Day | ShotOnWhat?

First Assistant Director

Fathers' Day  (1997)

Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum
Edited by: Wendy Greene Bricmont, Sheldon Kahn
Wild Bill | ShotOnWhat?

First Assistant Director

Wild Bill  (1995)

Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Cops and Robbersons | ShotOnWhat?

First Assistant Director

Cops and Robbersons  (1994)

Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Edited by: Stephen A. Rotter, William S. Scharf
And the Band Played On | ShotOnWhat?

Associate Producer, First Assistant Director

And the Band Played On  (1993)

Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox
Stop! Or My Mom Will Shoot | ShotOnWhat?

First Assistant Director

Stop! Or My Mom Will Shoot  (1992)

Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Edited by: Mark Conte, Lois Freeman-Fox
The Bodyguard | ShotOnWhat?

First Assistant Director

The Bodyguard  (1992)

Directed by: Mick Jackson
Cinematography by: Andrew Dunn
Edited by: Donn Cambern, Richard A. Harris
Mobsters | ShotOnWhat?

First Assistant Director

Mobsters  (1991)

Directed by: Michael Karbelnikoff
Cinematography by: Lajos Koltai
Edited by: Joe D'Augustine, M. Scott Smith
Air America | ShotOnWhat?

First Assistant Director

Air America  (1990)

Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Edited by: John Bloom, Lois Freeman-Fox
Cameras:
Lenses:
Jacknife | ShotOnWhat?

First Assistant Director

Jacknife  (1989)

Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: John Bloom
Cameras:
Tequila Sunrise | ShotOnWhat?

First Assistant Director

Tequila Sunrise  (1988)

Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Tin Men | ShotOnWhat?

First Assistant Director

Tin Men  (1987)

Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
One Crazy Summer | ShotOnWhat?

First Assistant Director

One Crazy Summer  (1986)

Directed by: Savage Steve Holland
Cinematography by: Isidore Mankofsky
Edited by: Alan Balsam
Cameras:
Perfect | ShotOnWhat?

First Assistant Director

Perfect  (1985)

Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Summer Rental | ShotOnWhat?

First Assistant Director

Summer Rental  (1985)

Directed by: Carl Reiner
Cinematography by: Ric Waite
Edited by: Bud Molin
Cameras:
The Wild Life | ShotOnWhat?

First Assistant Director

The Wild Life  (1984)

Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
All of Me | ShotOnWhat?

First Assistant Director

All of Me  (1984)

Directed by: Carl Reiner
Cinematography by: Richard H. Kline
Edited by: Bud Molin
Mike's Murder | ShotOnWhat?

First Assistant Director

Mike's Murder  (1984)

Directed by: James Bridges
Cinematography by: Reynaldo Villalobos
Edited by: Dede Allen, Jeff Gourson
Flashdance | ShotOnWhat?

First Assistant Director

Flashdance  (1983)

Directed by: Adrian Lyne
Cinematography by: Donald Peterman
Edited by: Walt Mulconery, Bud S. Smith
Terms of Endearment | ShotOnWhat?

First Assistant Director

Terms of Endearment  (1983) oscar-icon

Directed by: James L. Brooks
Cinematography by: Andrzej Bartkowiak
Edited by: Richard Marks
Cameras:
Lenses:
Fast Times at Ridgemont High | ShotOnWhat?

First Assistant Director

Fast Times at Ridgemont High  (1982)

Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras:
Going Ape! | ShotOnWhat?

Assistant Director

Going Ape!  (1981)

Directed by: Jeremy Joe Kronsberg
Cinematography by: Frank V. Phillips
Edited by: John W. Wheeler
Comes a Horseman | ShotOnWhat?

Second Assistant Director

Comes a Horseman  (1978)

Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Marion Rothman
The Exorcist | ShotOnWhat?

Administrative Assistant

The Exorcist  (1973)

Directed by: William Friedkin
Cinematography by: Owen Roizman
Edited by: Norman Gay, Evan A. Lottman
Cameras:
Lenses:
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