Sound Editor
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Sound Editor
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Sound Editor
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Last Boy Scout (1991)
Directed by: Tony Scott
Cinematography by: Ward Russell
Dialogue Editor
Joe Versus the Volcano (1990)
Directed by: John Patrick Shanley
Cinematography by: Stephen Goldblatt
Sound Editor
Police Academy 5: Assignment: Miami Beach (1988)
Directed by: Alan Myerson
Cinematography by: James Pergola
Edited by: Hubert de La Bouillerie
Sound Editor
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System
Sound Editor
National Lampoon's European Vacation (1985)
Directed by: Amy Heckerling
Cinematography by: Robert Paynter
Edited by: Pembroke J. Herring
Cameras: Panavision Cameras
Sound Editor
Vision Quest (1985)
Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe
Sound Effects Editor
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Sound Effects Editor
The Man Who Loved Women (1983)
Directed by: Blake Edwards
Cinematography by: Haskell Wexler
Edited by: Ralph E. Winters
Sound Editor
The Day After (1983)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Cameras: Panavision Cameras
Sound Editor
Taps (1981)
Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe
Cameras: Panavision Cameras
Sound Effects Editor
One on One (1977)
Directed by: Lamont Johnson
Cinematography by: Donald M. Morgan
Edited by: Robbe Roberts
Cameras: Panavision Cameras
Sound Editor
The Photographer (1974)
Directed by: William Byron Hillman
Cinematography by: Michael Shea
Edited by: Tony de Zarraga
Sound Editor
Catch-22 (1970)
Directed by: Mike Nichols
Cinematography by: David Watkin
Edited by: Sam O'Steen
