Supervising Sound Editor
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Supervising Sound Editor
U Turn (1997)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Supervising Sound Editor
Bad Company (1995)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Stuart H. Pappé
Supervising Sound Editor
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Sound Designer: Crow Voice
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Sound Designer
Natural Born Killers (1994)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Designer
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Sound Effects Editor
Homeward Bound: The Incredible Journey (1993)
Directed by: Duwayne Dunham
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Sound Designer
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Sound Effects Editor
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
