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Hell or High Water | ShotOnWhat?

Digital Intermediate Artist

Hell or High Water (2016)

Directed by: David Mackenzie

Cinematography by: Giles Nuttgens

Edited by: Jake Roberts

Cameras: ARRI ALEXA XT Studio Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Focus | ShotOnWhat?

Digital Intermediate Assistant

Focus (2015)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

Tracers | ShotOnWhat?

Digital Intermediate Assistant

Tracers (2015)

Directed by: Daniel Benmayor

Cinematography by: Nelson Cragg

Edited by: Peter Amundson

Cameras: Red Epic Camera

Altergeist | ShotOnWhat?

Digital Intermediate Assistant

Altergeist (2014)

Directed by: Tedi Sarafian

Cinematography by: Aaron Heck

Edited by: Andrew Coutts, David W. Hagar

Cameras: ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens

Editing System: Final Cut Pro Editing System

That Awkward Moment | ShotOnWhat?

Digital Intermediate Assistant

That Awkward Moment (2014)

Directed by: Tom Gormican

Cinematography by: Brandon Trost

Edited by: Shawn Paper, Greg Tillman

Cameras: ARRI ALEXA Plus Camera

The Legend of Hercules | ShotOnWhat?

Digital Intermediate Assistant

The Legend of Hercules (2014)

Directed by: Renny Harlin

Cinematography by: Sam McCurdy

Edited by: Vincent Tabaillon

Cameras: Red Epic Camera

Ender's Game | ShotOnWhat?

Digital Intermediate Assist

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Big Sur | ShotOnWhat?

Digital Intermediate Assist

Big Sur (2013)

Directed by: Michael Polish

Cinematography by: M. David Mullen

Edited by: Geraud Brisson, Robert Frazen

Cameras: Red Epic Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Enough Said | ShotOnWhat?

Digital Intermediate Assist

Enough Said (2013)

Directed by: Nicole Holofcener

Cinematography by: Xavier Grobet

Edited by: Robert Frazen

Cameras: ARRI ALEXA Studio Camera

Lenses: Leitz Summilux-C Series Lenses

In a World... | ShotOnWhat?

Digital Intermediate Assistant

In a World... (2013)

Directed by: Lake Bell

Cinematography by: Seamus Tierney

Edited by: Tom McArdle

Cameras: Red Epic Camera

Lenses: Hawk C-Series Lenses

The Bling Ring | ShotOnWhat?

Digital Intermediate Assistant

The Bling Ring (2013)

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

42 | ShotOnWhat?

Digital Intermediate Assistant

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Odd Thomas | ShotOnWhat?

Digital Intermediate Assistant

Odd Thomas (2013)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: David Checel

Cameras: Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Dark Skies | ShotOnWhat?

Digital Intermediate Assistant

Dark Skies (2013)

Directed by: Scott Stewart

Cinematography by: David Boyd

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses

Snitch | ShotOnWhat?

Digital Intermediate Assistant

Snitch (2013)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Jonathan Chibnall

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Texas Chainsaw 3D | ShotOnWhat?

Digital Intermediate Assistant

Texas Chainsaw 3D (2013)

Directed by: John Luessenhop

Cinematography by: Anastas N. Michos

Edited by: Randy Bricker

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Editing System: Avid Editing System

Popcorn | ShotOnWhat?

Camera Operator, Robe Handler

Popcorn (2012)

Directed by: Matthew Snell-Callanen

Cinematography by: Jose Vides

Edited by: Zack Moser, Matthew Snell-Callanen

Hitchcock | ShotOnWhat?

Digital Intermediate Assistant

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Flight | ShotOnWhat?

Digital Intermediate Assistant

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Goats | ShotOnWhat?

Digital Intermediate Assistant

Goats (2012)

Directed by: Christopher Neil

Cinematography by: Wyatt Troll

Edited by: Jeremiah O'Driscoll

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