Peter Donen

23 Titles

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Ladder 49 | ShotOnWhat?

Visual Effects Supervisor

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

The Italian Job | ShotOnWhat?

Visual Effects Consultant

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Bourne Identity | ShotOnWhat?

Production Visual Effects Supervisor, Visual Effects Supervisor

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Truth About Charlie | ShotOnWhat?

Visual Effects Supervisor

The Truth About Charlie (2002)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Suzanne Spangler

U-571 | ShotOnWhat?

Visual Effects Supervisor

U-571 (2000)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

The Gift | ShotOnWhat?

Visual Effects Supervisor

The Gift (2000)

Directed by: Sam Raimi

Cinematography by: Jamie Anderson

Edited by: Arthur Coburn, Bob Murawski

The Horse Whisperer | ShotOnWhat?

Visual Effects Supervisor

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

U.S. Marshals | ShotOnWhat?

Visual Effects Supervisor

U.S. Marshals (1998)

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

L.A. Confidential | ShotOnWhat?

Visual Effects Supervisor

L.A. Confidential (1997)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Executive Decision | ShotOnWhat?

Visual Effects Supervisor

Executive Decision (1996)

Directed by: Stuart Baird

Cinematography by: Alex Thomson

Edited by: Stuart Baird, Derek Brechin, Dallas Puett, Kevin Stitt, Frank J. Urioste

The Quick and the Dead | ShotOnWhat?

Visual Effects Supervisor

The Quick and the Dead (1995)

Directed by: Sam Raimi

Cinematography by: Dante Spinotti

Edited by: Pietro Scalia

Steal Big Steal Little | ShotOnWhat?

Visual Effects Supervisor

Steal Big Steal Little (1995)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Tina Hirsch

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision Primo Primes Spherical Lenses

Ri¢hie Ri¢h | ShotOnWhat?

Visual Effects Supervisor

Ri¢hie Ri¢h (1994)

Directed by: Donald Petrie

Cinematography by: Don Burgess

Edited by: Malcolm Campbell

In Search of Dr. Seuss | ShotOnWhat?

Camera Operator: "b" Camera, Visual Effects Supervisor

In Search of Dr. Seuss (1994)

Television Movie

Directed by: Vincent Paterson

Cinematography by: Michael Lonzo

Edited by: Michael Kelly

Dying Young | ShotOnWhat?

Visual Effects Supervisor

Dying Young (1991)

Directed by: Joel Schumacher

Cinematography by: Juan Ruiz Anchía

Edited by: Robert Brown, Jim Prior

Mr. Destiny | ShotOnWhat?

Visual Effects Supervisor

Mr. Destiny (1990)

Directed by: James Orr

Cinematography by: Alex Thomson

Edited by: Michael R. Miller

Child's Play | ShotOnWhat?

Visual Effects Supervisor

Child's Play (1988)

Directed by: Tom Holland

Cinematography by: Bill Butler

Edited by: Roy E. Peterson, Edward Warschilka

Spaceballs | ShotOnWhat?

Visual Effects Supervisor

Spaceballs (1987)

Directed by: Mel Brooks

Cinematography by: Nick McLean

Edited by: Conrad Buff IV

Fandango | ShotOnWhat?

Titles: Cinema Research

Fandango (1985)

Directed by: Kevin Reynolds

Cinematography by: Thomas Del Ruth

Edited by: Arthur Schmidt, Stephen Semel

Blame It on Rio | ShotOnWhat?

Title Designer

Blame It on Rio (1984)

Directed by: Stanley Donen

Cinematography by: Reynaldo Villalobos

Edited by: George Hively, Richard Marden

Twilight Zone: The Movie | ShotOnWhat?

Titles

Twilight Zone: The Movie (1983)

Directed by: Joe Dante, John Landis, George Miller, Steven Spielberg

Cinematography by: Allen Daviau, John Hora, Stevan Larner

Edited by: Malcolm Campbell, Tina Hirsch, Michael Kahn, Howard E. Smith

When Time Ran Out... | ShotOnWhat?

Optical Effects: Cinema Research Corp.

When Time Ran Out... (1980)

Directed by: James Goldstone

Cinematography by: Fred J. Koenekamp

Edited by: Edward A. Biery, Freeman A. Davies

More American Graffiti | ShotOnWhat?

Optical Coordinator

More American Graffiti (1979)

Directed by: Bill Norton

Cinematography by: Caleb Deschanel

Edited by: Tina Hirsch, Duwayne Dunham, Marcia Lucas

Cameras: Panavision Cameras

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