Digital Colorist
Human (2015)
Directed by: Yann Arthus-Bertrand
Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens
Editing System: Avid Editing System
Colorist
My King (2015)
Directed by: Maïwenn
Cinematography by: Claire Mathon
Edited by: Simon Jacquet
Cameras: Sony PMW-F55 Camera
Colorist
À 14 ans (2015)
Directed by: Hélène Zimmer
Cinematography by: Caroline Champetier
Edited by: Yann Dedet
Cameras: ARRI ALEXA Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens
Colorist
Je vous souhaite d'être follement aimée (2015)
Directed by: Ounie Lecomte
Cinematography by: Caroline Champetier
Edited by: Tina Baz
Cameras: Sony PMW-F55 Camera
Dailies Color Grader
Les vacances du petit Nicolas (2014)
Directed by: Laurent Tirard
Cinematography by: Denis Rouden
Edited by: Valérie Deseine
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Dailies Color Grader
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Dailies Color Grader
Holy Motors (2012)
Directed by: Leos Carax
Edited by: Nelly Quettier
Cameras: Red Epic Camera
Colorist: Dailies
Do Not Disturb (2012)
Directed by: Yvan Attal
Cinematography by: Thomas Hardmeier
Edited by: Jennifer Augé
Cameras: ARRI ALEXA Camera
Dailies Color Grader
L'ordre et la morale (2011)
Directed by: Mathieu Kassovitz
Cinematography by: Marc Koninckx
Rushes Grader: Scanlab
The Lady (2011)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Dailies Color Grader
Un baiser papillon (2011)
Directed by: Karine Silla
Cinematography by: Thomas Hardmeier
Edited by: Anny Danché
Cameras: ARRICAM Lite (LT) Camera
Dailies Color Grader
Les aventures extraordinaires d'Adèle Blanc-Sec (2010)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Dailies Color Grader
Je n'ai rien oublié (2010)
Directed by: Bruno Chiche
Cinematography by: Thomas Hardmeier
Edited by: Marion Monnier
Dailies Color Grader
L'amour, c'est mieux à deux (2010)
Cinematography by: Éric Guichard
Edited by: Sylvie Gadmer
Dailies Color Grader
L'arnacoeur (2010)
Directed by: Pascal Chaumeil
Cinematography by: Thierry Arbogast
Edited by: Dorian Rigal-Ansous
Dailies Color Grader
Mr. Nobody (2009)
Directed by: Jaco Van Dormael
Cinematography by: Christophe Beaucarne
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Dailies Color Grader
Baarìa (2009)
Directed by: Giuseppe Tornatore
Cinematography by: Enrico Lucidi
Edited by: Massimo Quaglia
Dailies Color Grader
Les herbes folles (2009)
Directed by: Alain Resnais
Cinematography by: Eric Gautier
Edited by: Hervé de Luze
Color Timer: Dailies Telecine
Transporter 3 (2008)
Directed by: Olivier Megaton
Cinematography by: Giovanni Fiore Coltellacci
Lenses: Cooke S4 Lenses
Dailies Color Grader
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Digital Color Grader
JCVD (2008)
Directed by: Mabrouk El Mechri
Cinematography by: Pierre-Yves Bastard
Edited by: Kako Kelber
Lenses: Panavision Lenses
Dailies Color Grader
Room of Death (2007)
Directed by: Alfred Lot
Cinematography by: Jérôme Alméras
Edited by: Maryline Monthieux
Dailies Color Grader
La face cachée (2007)
Directed by: Bernard Campan
Cinematography by: Matthieu Poirot-Delpech
Edited by: Philippe Bourgueil
Dailies Color Grader
La Vie en Rose (2007)
Directed by: Olivier Dahan
Cinematography by: Tetsuo Nagata
Edited by: Richard Marizy
