Adr Editor
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Dialogue Editor
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Dialogue Editor
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Dialogue Editor
One Fine Day (1996)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Dialogue Editor
Home for the Holidays (1995)
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Dialogue Editor
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Adr Editor
Radioland Murders (1994)
Directed by: Mel Smith
Cinematography by: David Tattersall
Edited by: Paul Trejo
Cameras: ARRI ARRIFLEX Series Cameras
Dialogue Editor
Miracle on 34th Street (1994)
Directed by: Les Mayfield
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Adr Editor
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Dialogue Editor
Crooked Hearts (1991)
Directed by: Michael Bortman
Cinematography by: Tak Fujimoto
Edited by: Richard Francis-Bruce
Dialogue Editor
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Supervising Dialogue Editor
Cadillac Man (1990)
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Dialogue Editor
Dead Poets Society (1989)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: William M. Anderson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
The Unbearable Lightness of Being (1988)
Directed by: Philip Kaufman
Cinematography by: Sven Nykvist
Sound Editor
The Princess Bride (1987)
Directed by: Rob Reiner
Cinematography by: Adrian Biddle
Edited by: Robert Leighton
Sound Editor
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
The Mosquito Coast (1986)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Sound Editor
Invaders from Mars (1986)
Directed by: Tobe Hooper
Cinematography by: Daniel Pearl
Edited by: Alain Jakubowicz
Dialogue Editor
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
Dialogue Editor
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Assistant Sound Editor
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
Assistant Sound Editor
More American Graffiti (1979)
Directed by: Bill Norton
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
