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Price Pethel

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House of Wax | ShotOnWhat?

Digital Intermediate Colorist

House of Wax  (2005)

Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
What Dreams May Come | ShotOnWhat?

Visual Effects Compositing Consultant: Digital Domain

What Dreams May Come  (1998)

Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Edited by: David Brenner, Maysie Hoy
Cameras: ,
Lenses:
Dante's Peak | ShotOnWhat?

Creative Supervisor: Digital Domain

Dante's Peak  (1997)

Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith
Cameras: , ,
Lenses: ,
Editing System:
Titanic | ShotOnWhat?

Compositing Consultant: Digital Domain

Titanic  (1997) oscar-icon

Directed by: James Cameron
Cinematography by: Russell Carpenter
Edited by: Conrad Buff IV, James Cameron, Richard A. Harris
Cameras: ,
Lenses:
Apollo 13 | ShotOnWhat?

Digital Compositing Supervisor: Digital Domain

Apollo 13  (1995)

Directed by: Ron Howard
Cinematography by: Dean Cundey
Edited by: Daniel P. Hanley, Mike Hill
Cameras: , ,
Lenses:
Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Digital Compositing Supervisor: Digital Domain

Interview with the Vampire: The Vampire Chronicles  (1994)

Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Mick Audsley, Joke van Wijk
Cameras:
Lenses:
Color of Night | ShotOnWhat?

Digital Supervisor

Color of Night  (1994)

Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Edited by: Jack Hofstra, Thom Noble
True Lies | ShotOnWhat?

Digital Post-production Supervisor: Digital Domain

True Lies  (1994)

Directed by: James Cameron
Cinematography by: Russell Carpenter
Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron
Cameras: , ,
Lenses: ,
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