Stuart Bryce

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Dailies Manager: Warner Bros. De Lane Lea

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Napoleon | ShotOnWhat?

Dailies Manager: Twickenham Film Studios

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Ready Player One | ShotOnWhat?

Dailies Operator

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

Dailies Prep

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Phantom Thread | ShotOnWhat?

Dailies Operator: Technicolor

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

The Huntsman: Winter's War | ShotOnWhat?

Digital Dailies Operator

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Legend of Tarzan | ShotOnWhat?

Digital Dailies Operator

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Senior Dailies Operator

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The BFG | ShotOnWhat?

Digital Dailies Operator: UK Plate Photography

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Digital Dailies Operator: Additional Photography

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

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