C.W. Fallin

14 Titles

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Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Digital Compositor/colorist

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Superman Returns | ShotOnWhat?

Data Integration Coordinator

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Eragon | ShotOnWhat?

Data Integration Coordinator

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Bad Boys II | ShotOnWhat?

Additional Camera Operator

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Kermit's Swamp Years | ShotOnWhat?

Consultant: 24p HDTV

Kermit's Swamp Years (2002)

Direct to Video

Directed by: David Gumpel

Cinematography by: Stephen Campbell, Rufus Standefer

Edited by: Katina Zinner

Gone Fishin' | ShotOnWhat?

Cinematographer: Additional Unit

Gone Fishin' (1997)

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

Flipper | ShotOnWhat?

Cinematographer: Special Photographic Effects

Flipper (1996)

Directed by: Alan Shapiro

Cinematography by: Bill Butler

Edited by: Peck Prior

Apollo 13 | ShotOnWhat?

Camera Operator , Visual Effects Camera Operator

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Cop & ½ | ShotOnWhat?

Cinematographer: Marine Sequences

Cop & ½ (1993)

Directed by: Henry Winkler

Cinematography by: Bill Butler

Edited by: Daniel P. Hanley, Carroll Timothy O'Meara, Roger Tweten

Lethal Weapon 3 | ShotOnWhat?

Camera Operator

Lethal Weapon 3 (1992)

Directed by: Richard Donner

Cinematography by: Jan de Bont

Edited by: Robert Brown, Battle Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oscar | ShotOnWhat?

Additional Camera Operator

Oscar (1991)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

Point Break | ShotOnWhat?

Camera Operator: Second Unit

Point Break (1991)

Directed by: Kathryn Bigelow

Cinematography by: Donald Peterman

Edited by: Howard E. Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Days of Thunder | ShotOnWhat?

Camera Operator

Days of Thunder (1990)

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Parenthood | ShotOnWhat?

Additional Camera Operator: Second Unit

Parenthood (1989)

Directed by: Ron Howard

Cinematography by: Donald McAlpine

Edited by: Daniel P. Hanley, Mike Hill

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