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Mrs. Harris Goes to Paris | ShotOnWhat?

Mix Technician: Abbey Road Studios

Mrs. Harris Goes to Paris (2022)

Directed by: Anthony Fabian

Cinematography by: Felix Wiedemann

Edited by: Barney Pilling

Cameras: ARRI ALEXA LF Camera

Tár | ShotOnWhat?

Sr. Mix Technician: Abbey Road

Tár (2022)

Directed by: Todd Field

Cinematography by: Florian Hoffmeister

Edited by: Monika Willi

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

The French Dispatch | ShotOnWhat?

Sound Mix Technician

The French Dispatch (2021)

Movie

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4/i Lenses

Wounds | ShotOnWhat?

Re-recording Mixer

Wounds (2019)

Directed by: Babak Anvari

Cinematography by: Kit Fraser

Edited by: Chris Barwell

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Downton Abbey | ShotOnWhat?

Sound Mix Technician

Downton Abbey (2019)

Movie

Directed by: Michael Engler

Cinematography by: Ben Smithard

Edited by: Mark Day

Cameras: Sony Cameras, Sony CineAlta VENICE Camera

Lenses: Zeiss Supreme Prime 100mm T1.5 Lens, Zeiss Supreme Prime 21mm T1.5 Lens, Zeiss Supreme Prime 25mm T1.5 Lens, Zeiss Supreme Prime 29mm T1.5 Lens, Zeiss Supreme Prime 35mm T1.5 Lens, Zeiss Supreme Prime 50mm T1.5 Lens, Zeiss Supreme Prime 65mm T1.5 Lens, Zeiss Supreme Prime 85mm T1.5 Lens

Mary Queen of Scots | ShotOnWhat?

Sound Mix Technician

Mary Queen of Scots (2018)

Directed by: Josie Rourke

Cinematography by: John Mathieson

Edited by: Chris Dickens

Cameras: Panavision Millennium DXL Camera, Red Epic Helium Camera

American Animals | ShotOnWhat?

Senior Mix Technician

American Animals (2018)

Directed by: Bart Layton

Cinematography by: Ole Bratt Birkeland

Edited by: Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera

Lenses: Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses

The Legend of Tarzan | ShotOnWhat?

Sound Mix Technician

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Sound Mix Technician

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Free Fire | ShotOnWhat?

Sound Mix Technician

Free Fire (2016)

Directed by: Ben Wheatley

Cinematography by: Laurie Rose

Edited by: Amy Jump, Ben Wheatley

Spectre | ShotOnWhat?

Sound Re-recording Technician

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

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