Sean Kisch

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"1923" Ghost of Zebrina | ShotOnWhat?

Additional First Assistant Camera

'1923' Ghost of Zebrina (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Christopher Gay

"1923" One Ocean Closer to Destiny | ShotOnWhat?

Additional First Assistant Camera

'1923' One Ocean Closer to Destiny (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Todd Desrosiers, Chad Galster

Top Gun: Maverick | ShotOnWhat?

Assistant Camera: Aerial Unit

Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Blonde | ShotOnWhat?

Additional First Assistant Camera / Second Assistant Camera: "a" Camera

Blonde (2022)

Directed by: Andrew Dominik

Cinematography by: Chayse Irvin

Edited by: Adam Robinson

Cameras: ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

1923 | ShotOnWhat?

Additional First Assistant Camera - 2 Episodes, 2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

Additional Second Assistant Camera: Los Angeles

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta VENICE Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

"Westworld" Reunion | ShotOnWhat?

Additional Second Assistant Camera

'Westworld' Reunion (2018)

Television Episode

Directed by: Vincenzo Natali

Cinematography by: John Grillo

Edited by: David Eisenberg

"Westworld" Virtù e Fortuna | ShotOnWhat?

Additional Second Assistant Camera

'Westworld' Virtù e Fortuna (2018)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Darran Tiernan

Edited by: Anna Hauger

"Westworld" Les Écorchés | ShotOnWhat?

Additional Second Assistant Camera

'Westworld' Les Écorchés (2018)

Television Episode

Directed by: Nicole Kassell

Cinematography by: M. David Mullen

Edited by: Anna Hauger

Bird Box | ShotOnWhat?

Second Assistant Camera: "a" Camera

Bird Box (2018)

Directed by: Susanne Bier

Cinematography by: Salvatore Totino

Edited by: Ben Lester

Cameras: Red Helium (Weapon) 8K

Lenses: Zeiss Master Prime Lenses

Transformers: The Last Knight | ShotOnWhat?

Additional First Assistant Camera: UK / Second Assistant Camera: "a" Camera, Main Unit, UK

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pride and Prejudice and Zombies | ShotOnWhat?

Second Assistant Camera

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

Westworld | ShotOnWhat?

Additional Second Assistant Camera - 3 Episodes, 2018

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Camera Operator: Minicams , Minicam/utility Second Assistant Camera

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Golden Compass | ShotOnWhat?

Motion Control Assistant: Dailies

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Harry Potter and the Order of the Phoenix | ShotOnWhat?

Motion Control Assistant

Harry Potter and the Order of the Phoenix (2007)

Directed by: David Yates

Cinematography by: Slawomir Idziak

Edited by: Mark Day

Cameras: ARRI Cameras

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