Visual Effects Supervisor
Powder Blue (2009)
Directed by: Timothy Linh Bui
Cinematography by: Jonathan Sela
Edited by: Leo Trombetta
Digital Color Timer / Main Title Designer
Grindhouse (2007)
Color Timing Supervisor
Veritas, Prince of Truth (2007)
Directed by: Arturo Ruiz-Esparza
Cinematography by: Arturo de la Rosa
Edited by: Todd Jenkins
2D Supervisor / Main Titles Designer
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
2D Supervisor: Troublemaker Digital Studios / Digital Color Timing Supervisor / Main Title Sequence Designer
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
2D Supervisor
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Effects Artist
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Compositor: Cinema Research Corp./D-rez
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Visual Effects Artist: Cinema Research Corp./D-rez
Rules of Engagement (2000)
Directed by: William Friedkin
Edited by: Augie Hess
Digital Compositor: Cinema Research Corp./D-rez
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Digital Compositor: Cinema Research Corp./D-rez
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Digital Effects Artist: Cinema Research Corp./D-rez
I Dreamed of Africa (2000)
Directed by: Hugh Hudson
Cinematography by: Bernard Lutic
Edited by: Scott Thomas
Digital Compositor: OCS FreezeFrame
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Domino Artist: CRC Digital
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Visual Effects Artist: Cinema Research Corp./D-rez
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Digital Artist, Visual Effects Artist: Cinema Research Corp./D-rez
The Omega Code (1999)
Directed by: Robert Marcarelli
Cinematography by: Carlos González
Digital Compositor: Cinema Research Corp./D-rez
The Adventures of Elmo in Grouchland (1999)
Directed by: Gary Halvorson
Cinematography by: Alan Caso
Edited by: Alan Baumgarten
Digital Compositor: Cinema Research Corp./D-rez
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist
Best of the Best 4: Without Warning (1998)
Directed by: Phillip Rhee
Cinematography by: Michael D. Margulies
Edited by: Bert Lovitt
Digital Compositor: Cinema Research Corp./D-rez
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Digital Compositor: Cinema Research Corp./D-rez
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
