Colorist: EFilm
Salt and Silicone (2010)
Directed by: Warren Pereira
Cinematography by: Jeff Streich
Edited by: Shane Sattler
Colorist: Efilm
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Colorist: Efilm
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Colorist: Efilm
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Colorist: Efilm
Lovely Coffee (2008)
Directed by: Warren Pereira
Cinematography by: Jeff Streich
Edited by: Shane Sattler
DaVinci Colorist
Food, Inc. (2008)
Directed by: Robert Kenner
Cinematography by: Richard Pearce
Edited by: Kim Roberts
Colorist: Efilm
The Great Debaters (2007)
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Colorist: Efilm
Lust, Caution (2007)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Colorist, Digital Film Colorist / Digital Intermediate Colorist
An Inconvenient Truth (2006)
Directed by: Davis Guggenheim
Cameras: Sony HDC-F950 Camera
Colorist: Efilm
The Illusionist (2006)
Directed by: Neil Burger
Cinematography by: Dick Pope
Edited by: Naomi Geraghty
Colorist: Efilm
Amazing Grace (2006)
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
