Camera Operator: Additional Photography
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Additional Director Of Photography
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Director Of Photography: Special Effects Unit, Director Of Photography: Visual Effects Unit
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Director Of Photography: Second Unit
Layer Cake (2004)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Director Of Photography: Second Unit
G:MT Greenwich Mean Time (1999)
Directed by: John Strickland
Cinematography by: Alan Almond
Edited by: Patrick Moore
First Assistant Camera: Concert
Madonna: Truth or Dare (1991)
Directed by: Alek Keshishian
Edited by: Barry Alexander Brown
Focus Puller
Chicago Joe and the Showgirl (1990)
Directed by: Bernard Rose
Cinematography by: Mike Southon
Edited by: Dan Rae
Focus Puller
The Lair of the White Worm (1988)
Directed by: Ken Russell
Cinematography by: Dick Bush
Edited by: Peter Davies
Focus Puller
Paperhouse (1988)
Directed by: Bernard Rose
Cinematography by: Mike Southon
Edited by: Dan Rae
Focus Puller: Second Camera
Lionheart (1987)
Directed by: Franklin J. Schaffner
Cinematography by: Alec Mills
Additional Camera Assistant
Brazil (1985)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Julian Doyle
Cameras: J-D-C Camera
Lenses: Kinoptik Lenses, Zeiss Lenses
Assistant Camera
The Keep (1983)
Directed by: Michael Mann
Cinematography by: Alex Thomson
Cameras: ARRIFLEX 35 BL3 Camera
