Jessica L. Therrien

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Measure of a Man | ShotOnWhat?

Art Department Coordinator

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Slender Man | ShotOnWhat?

Set Dresser

Slender Man (2018)

Directed by: Sylvain White

Cinematography by: Luca Del Puppo

Edited by: Jake York

Cameras: Sony PMW-F55 Camera, Sony α7S II Camera

Lenses: Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

Thoroughbreds | ShotOnWhat?

Additional Set Dresser

Thoroughbreds (2017)

Directed by: Cory Finley

Cinematography by: Lyle Vincent

Edited by: Louise Ford

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Finest Hours | ShotOnWhat?

Visual Effects Pa

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

The Heat | ShotOnWhat?

Scenic Industrial

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Crooked Arrows | ShotOnWhat?

Art Department Coordinator

Crooked Arrows (2012)

Directed by: Steve Rash

Cinematography by: Dan Stoloff

Edited by: Bart Rachmil, Danny Saphire

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses

Furry Vengeance | ShotOnWhat?

Visual Effects

Furry Vengeance (2010)

Directed by: Roger Kumble

Cinematography by: Peter Lyons Collister

Edited by: Lawrence Jordan

Edge of Darkness | ShotOnWhat?

Production Assistant: Second Unit

Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Surrogates | ShotOnWhat?

Production Assistant

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

Ghosts of Girlfriends Past | ShotOnWhat?

Accounting Clerk

Ghosts of Girlfriends Past (2009)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Pink Panther 2 | ShotOnWhat?

Accounting Clerk

The Pink Panther 2 (2009)

Directed by: Harald Zwart

Cinematography by: Denis Crossan

Edited by: Julia Wong

Cameras: Moviecam Compact Camera

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Production Assistant

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Great Debaters | ShotOnWhat?

Costume Assistant

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Underdog | ShotOnWhat?

On-set Data Collector

Underdog (2007)

Directed by: Frederik Du Chau

Cinematography by: David Eggby

Edited by: Tom Finan

The Game Plan | ShotOnWhat?

Wardrobe Production Assistant

The Game Plan (2007)

Directed by: Andy Fickman

Cinematography by: Greg Gardiner

Edited by: Michael Jablow

Cameras: Panavision Cameras

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