Kevin Quinlan

10 Titles

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The Post | ShotOnWhat?

Visual Effects Artist

The Post (2017)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Swiss Army Man | ShotOnWhat?

Visual Effects Artist

Swiss Army Man (2016)

Directed by: Daniel Kwan, Daniel Scheinert

Cinematography by: Larkin Seiple

Edited by: Matthew Hannam

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses

The Adjustment Bureau | ShotOnWhat?

Visual Effects Artist

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Extremely Loud & Incredibly Close | ShotOnWhat?

Visual Effects Artist

Extremely Loud & Incredibly Close (2011)

Directed by: Stephen Daldry

Cinematography by: Chris Menges

Edited by: Claire Simpson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Young Adult | ShotOnWhat?

Visual Effects Artist

Young Adult (2011)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Salt | ShotOnWhat?

Visual Effects Artist

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Cop Out | ShotOnWhat?

Flame Compositor / Visual Effects Artist

Cop Out (2010)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

I Love You Phillip Morris | ShotOnWhat?

Flame Compositor: RhinoFX

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

The Reader | ShotOnWhat?

Visual Effects Artist

The Reader (2008)

Directed by: Stephen Daldry

Cinematography by: Roger Deakins, Chris Menges

Edited by: Claire Simpson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Capturing the Friedmans | ShotOnWhat?

Visual Effects

Capturing the Friedmans (2003)

Directed by: Andrew Jarecki

Cinematography by: Adolfo Doring

Edited by: Richard Hankin

Editing System: Avid Editing System

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