Hdr Colorist
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
Colorist: DolbyVision
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Digital Intermediate Colorist
Higher Ground (2011)
Directed by: Vera Farmiga
Cinematography by: Michael McDonough
Edited by: Colleen Sharp
Cameras: Red One MX Camera
Digital Intermediate Colorist
The Last Exorcism (2010)
Directed by: Daniel Stamm
Cinematography by: Zoltan Honti
Edited by: Shilpa Sahi
Colorist
Operation: Endgame (2010)
Directed by: Fouad Mikati
Cinematography by: Arnaud Stefani
Edited by: Joshua Ferrazzano
Colorist
Like Dandelion Dust (2009)
Directed by: Jon Gunn
Cinematography by: Reynaldo Villalobos
Edited by: Jon Gunn
Colorist
Table for Three (2009)
Directed by: Michael Samonek
Cinematography by: Matthew Irving
Edited by: Sandy S. Solowitz
Digital Opticals
Extract (2009)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Digital Intermediate Colorist
Felon (2008)
Directed by: Ric Roman Waugh
Cinematography by: Dana Gonzales
Edited by: Jonathan Chibnall
Digital Intermediate Colorist
100 Feet (2008)
Directed by: Eric Red
Cinematography by: Ken Kelsch
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Intermediate Support
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Colorist
Man in the Chair (2007)
Directed by: Michael Schroeder
Cinematography by: Dana Gonzales
Edited by: Terry Cafaro
Digital Intermediate Colorist
10th & Wolf (2006)
Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy
Edited by: Harvey Rosenstock
Additional Color Timer: IO Film
Black Christmas (2006)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Film Colorist , Lead Compositor: IO Film
Maria Full of Grace (2004)
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Digital Compositor: Digital Neural Axis
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Digital Compositor
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Digital Colorist: IO Film
Riding the Bullet (2004)
Directed by: Mick Garris
Cinematography by: Robert C. New
Edited by: Marshall Harvey
Digital Colorist: IO Film
Crash (2004)
Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Lenses: Panavision Super Speed Lenses
Editing System: Avid Editing System
Lead Compositor: IO Film
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Digital Compositor
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Film Opticals: IO Film
Green Card Fever (2003)
Directed by: Bala Rajasekharuni
Edited by: Robert Komatsu
Digital Colorist: IO Film, Digital Compositor: IO Film
Finding Home (2003)
Directed by: Lawrence David Foldes
Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay
Digital Compositor
Changing Hearts (2002)
Directed by: Martin Guigui
Cinematography by: Massimo Zeri
Edited by: John Axelrad
Digital Artist
Mulholland Dr. (2001)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Compositor: Rhythm & Hues
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Compositor: Rhythm & Hues
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Compositor , Technical Supervisor
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Really Cool Video Guy
Dog Run (1996)
Directed by: D. Ze'ev Gilad
Cinematography by: Andrew T. Dunn
Cameras: Aaton Cameras
