Christopher Chaber

12 Titles

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Black Panther: Wakanda Forever | ShotOnWhat?

Production Team: Rise Visual Effects Studios

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Black Panther | ShotOnWhat?

Visual Effects Coordinator: RISE Visual Effects Studios

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

I'm Off Then | ShotOnWhat?

Digital Intermediate Editor

I'm Off Then (2015)

Directed by: Julia von Heinz

Cinematography by: Felix Poplawsky

Edited by: Alexander Dittner, Georg Söring

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Türkisch für Anfänger | ShotOnWhat?

Digital Intermediate Editor

Türkisch für Anfänger (2012)

Directed by: Bora Dagtekin

Cinematography by: Torsten Breuer, Benjamin Dernbecher

Edited by: Charles Ladmiral

Cameras: ARRI ALEXA Camera

Sams im Glück | ShotOnWhat?

Digital Intermediate Editor

Sams im Glück (2012)

Directed by: Peter Gersina

Cinematography by: Gerhard Schirlo

Edited by: Kai Schröter

Almanya - Willkommen in Deutschland | ShotOnWhat?

Digital Intermediate Editor

Almanya - Willkommen in Deutschland (2011)

Directed by: Yasemin Samdereli

Cinematography by: The Chau Ngo

Edited by: Andrea Mertens

The Wave | ShotOnWhat?

Lustre Operator

The Wave (2008)

Directed by: Dennis Gansel

Cinematography by: Torsten Breuer

Edited by: Ueli Christen

Cameras: ARRI Cameras

Lenses: ARRI Lenses

Der Räuber Hotzenplotz | ShotOnWhat?

Assistant Digital Colorist

Der Räuber Hotzenplotz (2006)

Directed by: Gernot Roll

Cinematography by: Gernot Roll

Edited by: Horst Reiter

Perfume: The Story of a Murderer | ShotOnWhat?

Assistant Digital Colorist: ARRI

Perfume: The Story of a Murderer (2006)

Directed by: Tom Tykwer

Cinematography by: Frank Griebe

Edited by: Alexander Berner

Die Höhle des gelben Hundes | ShotOnWhat?

Avid Operator: ARRI

Die Höhle des gelben Hundes (2005)

Directed by: Byambasuren Davaa

Cinematography by: Daniel Schönauer

Edited by: Sarah Clara Weber

Æon Flux | ShotOnWhat?

Avid Operator: ARRI

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Magic Carpet Ride | ShotOnWhat?

Lustre Operator: ARRI

Magic Carpet Ride (2005)

Directed by: Yilmaz Erdogan

Cinematography by: Ugur Içbak

Edited by: Mustafa Presheva

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