Visual Effects Technical Colorist
A Royal Affair (2012)
Directed by: Nikolaj Arcel
Cinematography by: Rasmus Videbæk
Cameras: ARRICAM Studio (ST) Camera
Lenses: Zeiss Master Prime Lenses
Senior Digital Intermediate Technician: Ghost VFX
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Digital Compositor
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Post-production Assistant
Drag Me to Hell (2009)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Editing System: Avid Editing System, Final Cut Pro Editing System
Colorist - Marionette Prologue, Digital Colourist: Puppet Sequence
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Lead Compositor
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Digital Compositor
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Digital Compositor / Visual Effects: Title Sequence
Fritt vilt (2006)
Directed by: Roar Uthaug
Cinematography by: Daniel Voldheim
Edited by: Jon Endre Mørk
Cameras: Aaton XTR Prod Camera
Visual Effects
Mondscheinkinder (2006)
Directed by: Manuela Stacke
Cinematography by: Alexander Sass
Edited by: Dirk Schreier
Visual Effects
Oliver Twist (2005)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
