Alessandro Camon

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Bullet to the Head | ShotOnWhat?

Screenplay By

Bullet to the Head (2012)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Timothy Alverson

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wall Street: Money Never Sleeps | ShotOnWhat?

Executive Producer

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

Bad Lieutenant: Port of Call New Orleans | ShotOnWhat?

Executive Producer

Bad Lieutenant: Port of Call New Orleans (2009)

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

The Messenger | ShotOnWhat?

Written By

The Messenger (2009)

Directed by: Oren Moverman

Cinematography by: Bobby Bukowski

Edited by: Alex Hall

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Style Lenses, Cooke S4 Lenses

Mutant Chronicles | ShotOnWhat?

Executive Producer

Mutant Chronicles (2008)

Directed by: Simon Hunter

Cinematography by: Geoff Boyle

Edited by: Sean Barton, Alison Lewis

Fur: An Imaginary Portrait of Diane Arbus | ShotOnWhat?

Executive Producer

Fur: An Imaginary Portrait of Diane Arbus (2006)

Directed by: Steven Shainberg

Cinematography by: Bill Pope

Edited by: Kristina Boden, Keiko Deguchi

Thank You for Smoking | ShotOnWhat?

Executive Producer

Thank You for Smoking (2005)

Directed by: Jason Reitman

Cinematography by: Jim Whitaker

Edited by: Dana E. Glauberman

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses

Undertow | ShotOnWhat?

Executive Producer

Undertow (2004)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Zene Baker, Steven Gonzales

Never Die Alone | ShotOnWhat?

Producer

Never Die Alone (2004)

Directed by: Ernest R. Dickerson

Cinematography by: Matthew Libatique

Edited by: Stephen Lovejoy

The Cooler | ShotOnWhat?

Executive Producer

The Cooler (2003)

Directed by: Wayne Kramer

Cinematography by: Jim Whitaker

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

American Psycho | ShotOnWhat?

Co-producer

American Psycho (2000)

Directed by: Mary Harron

Cinematography by: Andrzej Sekula

Edited by: Andrew Marcus

The Crow: City of Angels | ShotOnWhat?

Executive Producer

The Crow: City of Angels (1996)

Directed by: Tim Pope

Cinematography by: Jean-Yves Escoffier

Edited by: Michael N. Knue, Anthony Redman

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