CIA Agent
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Journal Clerk
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Stand-in: Mark Wahlberg
Shooter (2007)
Directed by: Antoine Fuqua
Cinematography by: Peter Menzies Jr.
Shelf Humping Sex Addict
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Stand-in: Joaquin Phoenix
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Virginia Senator / White House Police Officer
Iron Jawed Angels (2004)
Directed by: Katja von Garnier
Cinematography by: Robbie Greenberg
Edited by: Hans Funck
Dinner Guest
Tuck Everlasting (2002)
Directed by: Jay Russell
Cinematography by: James L. Carter
Edited by: Jay Cassidy
Cameras: Panavision Panaflex Gold II Camera
Narcotics Detective
The Wire (2002)
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Narcotics Detective
'The Wire' The Target (2002)
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Forensic Police Officer
Cherry Falls (2000)
Directed by: Geoffrey Wright
Cinematography by: Anthony B. Richmond
Edited by: John F. Link
Old Ebbit Grill Patron
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Greg Norville
NetForce (1999)
Directed by: Robert Lieberman
Cinematography by: David Hennings
Edited by: Alan L. Shefland