Colorist
Miss Sloane (2016)
Directed by: John Madden
Cinematography by: Sebastian Blenkov
Edited by: Alexander Berner
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4/i Lenses
Color Grading Artist
Né quelque part (2013)
Directed by: Mohamed Hamidi
Cinematography by: Alex Lamarque
Edited by: Marion Monnier
Cameras: ARRI ALEXA Camera
Colorist
Amour (2012)
Directed by: Michael Haneke
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Color Grading Artist
Largo Winch II (2011)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
Colorgrading Artist
Micmacs à tire-larigot (2009)
Directed by: Jean-Pierre Jeunet
Cinematography by: Tetsuo Nagata
Edited by: Hervé Schneid
Colorist
The Young Victoria (2009)
Directed by: Jean-Marc Vallée
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Colorgrading Artist
The Heir Apparent: Largo Winch (2008)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Richard Marizy
Digital Colorist
Alles is liefde (2007)
Directed by: Joram Lürsen
Cinematography by: Lex Brand
Edited by: Peter Alderliesten
Digital Colorist
The Fall (2006)
Directed by: Tarsem Singh
Cinematography by: Colin Watkinson
Edited by: Robert Duffy
Digital Colorist
Zidane, un portrait du 21e siècle (2006)
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Digital Colorist
Il ne faut jurer... de rien! (2005)
Directed by: Eric Civanyan
Cinematography by: Eduardo Serra
Edited by: Aurique Delannoy
Digital Colorist
2046 (2004)
Directed by: Kar-Wai Wong
Edited by: William Chang
Cameras: Panavision Panaflex Gold II Camera
Digital Colorist
Les rivières pourpres 2 - Les anges de l'apocalypse (2004)
Directed by: Olivier Dahan
Cinematography by: Alex Lamarque
Edited by: Richard Marizy
Digital Colorist
Bon voyage (2003)
Directed by: Jean-Paul Rappeneau
Cinematography by: Thierry Arbogast
Edited by: Maryline Monthieux
Cameras: Panavision Cameras
Digital Colorist
The Gathering Storm (2002)
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
Colorist
Vidocq (2001)
Directed by: Pitof
Edited by: Thierry Hoss
Cameras: Sony Cameras, Sony HDW-F900 Camera
Colorist , Colorist / Digital Grading
Amélie (2001)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Lenses: Zeiss Ultra Prime Lenses
