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Heaven Is for Real (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright

Starring | Greg Kinnear, Kelly Reilly, Thomas Haden Church, Connor Corum

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

Parental Guidance (2012)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda

Starring | Billy Crystal, Bette Midler, Marisa Tomei, Tom Everett Scott

Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

No Good Deed (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 84 Minutes

Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page

Starring | Taraji P. Henson, Idris Elba, Leslie Bibb, Kate del Castillo

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Think Like a Man Too (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot

Starring | Kevin Hart, Gabrielle Union, Wendi McLendon-Covey, La La Anthony

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Super Speed Lenses

Hercules (1997)

Motion Picture | 2D | Color | 1.78:1 (16x9), 1.85:1 | 93 Minutes

Directed by | Ron Clements, John Musker | Cinematography by | Rasoul Azadani | Editing by | Tom Finan, Robert W. Hedland

Starring | Tate Donovan, Susan Egan, James Woods, Josh Keaton

Beyond Silence (1996)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Caroline Link | Cinematography by | Gernot Roll | Editing by | Patricia Rommel

Starring | Sylvie Testud, Tatjana Trieb, Howie Seago, Emmanuelle Laborit

Kung Fu Panda 3 (2016)

Motion Picture | 3D | Color | 2.39:1 | 95 Minutes

Directed by | Alessandro Carloni, Jennifer Yuh Nelson | Editing by | Clare Knight

Starring | Jack Black, Bryan Cranston, Dustin Hoffman, Angelina Jolie

The Father and the Bear (2016)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Wil Love, David DeLuise, Dendrie Taylor, Charity Farrell

Cameras | Blackmagic Pocket Cinema Camera, Canon EOS-C300 Camera

Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses

Route 30 Three! (2014)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | David Cowgill, Nathalie Boltt, Dan Poole, Molly Lahr

Cameras | Sony PMW-F3 Camera

Mulan (1998)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 88 Minutes

Directed by | Tony Bancroft, Barry Cook | Editing by | Michael Kelly

Starring | Ming-Na Wen, Eddie Murphy, BD Wong, Miguel Ferrer

Midnight Special (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Jeff Nichols | Cinematography by | Adam Stone | Editing by | Julie Monroe

Starring | Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A Bug’s Life (1998)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | John Lasseter, Andrew Stanton | Cinematography by | Sharon Calahan | Editing by | Lee Unkrich

Starring | Kevin Spacey, David Foley, Julia Louis-Dreyfus, Hayden Panettiere

Babe: Pig in the City (1998)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | George Miller | Cinematography by | Andrew Lesnie | Editing by | Jay Friedkin, Margaret Sixel

Starring | Magda Szubanski, Elizabeth Daily, Mickey Rooney, James Cromwell

Toy Story 2 (1999)

Motion Picture | 3D | HD Project | Color | 1.85:1 | 92 Minutes

Directed by | John Lasseter, Ash Brannon, Lee Unkrich | Cinematography by | Sharon Calahan | Editing by | Edie Ichioka, David Ian Salter, Lee Unkrich

Starring | Tom Hanks, Tim Allen, Joan Cusack, Kelsey Grammer

The Red Violin (1998)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | François Girard | Cinematography by | Alain Dostie | Editing by | Gaétan Huot

Starring | Carlo Cecchi, Jean-Luc Bideau, Christoph Koncz, Jason Flemyng

The Wedding Ringer (2015)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong

Starring | Kevin Hart, Josh Gad, Kaley Cuoco, Affion Crockett

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

The Emperor’s New Groove (2000)

Motion Picture | 2D | Color | 1.66:1, 1.85:1 | 78 Minutes

Directed by | Mark Dindal | Cinematography by | Thomas Baker | Editing by | Tom Finan, Pam Ziegenhagen

Starring | David Spade, John Goodman, Eartha Kitt, Patrick Warburton

The Incredibles (2004)

Motion Picture | 3D | Color | 2.39:1 | 115 Minutes

Directed by | Brad Bird | Cinematography by | Andrew Jimenez, Patrick Lin, Janet Lucroy | Editing by | Stephen Schaffer

Starring | Craig T. Nelson, Samuel L. Jackson, Holly Hunter, Jason Lee

The Polar Express (2004)

Motion Picture | 2D, 3D | Color | 2.0:1, 2.39:1 | 100 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess, Robert Presley | Editing by | R. Orlando Duenas, Jeremiah O'Driscoll

Starring | Tom Hanks, Chris Coppola, Michael Jeter, Leslie Zemeckis

As It Is in Heaven (2004)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Kay Pollak | Cinematography by | Harald Gunnar Paalgard | Editing by | Thomas Täng

Starring | Michael Nyqvist, Frida Hallgren, Helen Sjöholm, Lennart Jähkel

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