Wave File | 53 Titles
Gold Star (2020)
Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger
Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera
Lenses | Canon EF Series Lenses, Canon FD Series Lenses
Je Bent Al Hier (2024)
Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz
Cameras | Sony ILME-FX3 Camera
Rups (2024)
Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz
Cameras | ARRI ALEXA Mini LF Camera
Venus Effect (2024)
Directed by | Andrew Burn | Cinematography by | Andrew Burn
Cameras | Sony Cameras, Sony ILME-FX3 Camera
Lenses | Sony G Master Series Lenses
Gyani Maiya (2019)
Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi
Cameras | Canon Cameras, Nikon Cameras
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
Verwaant (2023)
Directed by | Syb Faes | Cinematography by | Bregje Pontzen | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema 4K Camera
Geluid van het Einde (2023)
Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg
Cameras | Blackmagic Pocket Cinema 4K Camera
Waiting for Smith’s Trilogy (2024)
Directed by | Sebastiaan de Reuver | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema 4K Camera
Kacke Kost Geld (2021)
Directed by | Joël Mulder | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Canon Cameras, Panasonic Lumix DMC-GH5s Camera
The Legend of the White Ibex (2019)
Directed by | Markus Otz | Cinematography by | Kurt Amzos
Cameras | Sony PXW-FS5 Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Sony Lenses
Instorten (2022)
Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg
Cameras | Blackmagic Pocket Cinema 4K Camera
Van Hitcom Naar Shitcom (En Weer Terug) (2024)
Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz
Cameras | Panasonic Lumix DMC-GH5s Camera
Control Delete (2024)
Directed by | Kris van Melle | Cinematography by | Britt Adriaansen | Editing by | Keno Aladjuz
Cameras | Blackmagic URSA Camera
La jungle est mon jardin (2022)
Directed by | Enrico Alexander Giordano
Cameras | Canon EOS-1D C Camera
Lenses | Cineovision Lenses, Leica R Series Lenses
Haunted State (2019)
Broken Eyes (2023)
Directed by | Eveshka Ghost
Cameras | Sony α7S Camera
Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses
Kompas (2024)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens
A Blood Throne (2020)
Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia
Cameras | Panasonic Lumix DMC-GH5 Camera
Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens
